On episode 310 of The AwardsWatch Podcast, Associate Editor Sophia Ciminello is joined by Editor-In-Chief Erik Anderson and Executive Editor Ryan McQuade to chat about... Read More
Other
In a heated year for international films, NEON has dominated the conversation with its extensive slate of hot festival picks. Preserving their Palme d’Or-winning streak,... Read More
Three major 2025 releases highlight the releases coming home on physical media this week, featuring one of the best films of the year. First up... Read More
Ronan Day-Lewis is no stranger to the world of filmmaking. As the son of three-time Academy Award-winning actor Daniel Day-Lewis and writer-director Rebecca Miller, he... Read More
Bradley Cooper isn’t the first director to come to mind to helm a romantic comedy. Up to this point, the actor-turned-prestige filmmaker has swung for... Read More
After winning these two categories last year, the Wicked sequel, Wicked: For Good, is probably in very good shape to make it two for two... Read More
Chris Stuckmann is following his dream career path. After making a name for himself in the YouTube film critic world – where he became particularly... Read More
Horror has passionate fans. True lovers of the genre will seek out any film that aims to scare its audience, regardless of setting, style, or... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
I fell once when I was younger, playing baseball in a local youth league. I was running to catch a ball that popped into foul... Read More

2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc
Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978)
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‘Beef’ Season 2 Review: Oscar Isaac, Carey Mulligan, Cailee Spaeny and Charles Melton Sink Their Teeth Into Lee Sung Jin’s Meaty Morality Tale [A-]
Interview: Director David Lowery on How ‘The Red Shoes,’ Taylor Swift, and Artistic Internal Struggles Were Forged to Conjure Up ‘Mother Mary’ [AUDIO]
George Clooney to be Honored at 51st Chaplin Award Gala by Stephen Colbert, Sam Rockwell and More
Santa Barbara International Film Festival (SBIFF) Announces 2027 Dates
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc
AwardsWatch Podcast Ep. 310 – 63rd NYFF Wrap-Up and the Film Editing and Cinematography Oscar Races
Checking In with the NEON International Feature Film Pickups from Cannes: ‘It Was Just an Accident,’ ‘The Secret Agent,’ and ‘Sirāt’
On the Shelf: ‘Mission Impossible: The Final Reckoning,’ The Fantastic Four: First Steps,’ and ‘Weapons’ Arrive on 4K Blu-Ray This Week
It’s a Family Affair: Ronan Day-Lewis on Creating a Modern Fable and the Father-Son Collaboration Behind ‘Anemone’ [Interview]
‘Is This Thing On?’ Review: Will Arnett is a Stand Up Guy in Bradley Cooper’s Quieter, More Introspective Third Feature [B+] NYFF
2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN (October)
How YouTube Critic Chris Stuckmann Turned His Love of Scary Movies Into Making a Mercilessly Frightening One of His Own [Interview]
‘Shelby Oaks’ Review: Chris Stuckmann’s Relentlessly Frightening Debut Will Scare Both His Subscribers and Lurkers Alike [B+]
Director Watch Podcast Ep. 121 – ‘An Autumn Afternoon’ (Yasujirō Ozu, 1962)
‘The Chair Company’ TV Review: Tim Robinson Goes Off the Deep End in Unhinged Conspiracy Comedy [A]
Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978)
‘Lee Cronin’s The Mummy’ Review: Careful the Spell You Cast, Children Will Listen (and Sometimes Kill) [C]