The opening music for Julian Schnabel’s In the Hand of Dante, an audacious but ruinously messy epic which takes place across seven centuries and has... Read More
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This weekend, for two nights, the Television Academy will present Creative Arts Emmys for the best in artisan work for the last year of television.... Read More
For close to one hundred years, Frankenstein has always been a complex, fascinating tale of the moral consequences from man’s decision to create something beyond... Read More
The 52nd Telluride Film Festival has wrapped up and that means it’s time for the AW team to gather and talk about what we saw,... Read More
In January of 2024, Hind Rajab was evacuating her home in the Tel al-Hawa neighbourhood of Gaza City, as ordered by Israeli forces, alongside six... Read More
Eleonora Duse is a name that carries the weight of legend: Te actress who revolutionized theatrical performance in Italy, who captivated audiences across Europe, and... Read More
‘The Stranger’ Review: The Absurdity of Existence Captured in François Ozon’s Newest Film [B] Venice
‘The Stranger’ Review: The Absurdity of Existence Captured in François Ozon’s Newest Film [B] Venice
François Ozon’s cinematic adaptation of Albert Camus’ “The Stranger” is an ambitious, meticulously crafted endeavor, one that seeks to translate the existential rigor and enigmatic... Read More
The final day of the 52nd Telluride Film Festival, September 2, always hits with a bittersweet pang. The cinematic highs are tempered by the looming... Read More
In her first film in almost a decade, Kathryn Bigelow returns with A House of Dynamite, an incredibly timely film with an inventive narrative structure,... Read More
Jim Jarmusch is known for his often quiet, contemplative and meditative films that have a lot to say without actually saying much. The enigmatic beauty... Read More

76th American Cinema Editors ACE Eddie Awards: ‘Sinners,’ ‘One Battle After Another,’ ‘The Pitt’ Take Top Wins
Interview: Stellan Skarsgård on Navigating the Ever-Changing Film Industry and the Cathartic Ending of ‘Sentimental Value’
Director Watch Podcast Ep. 141 – ’49th Parallel aka The Invaders’ (Powell and Pressburger, 1942)
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
‘Sinners’ Leads 57th NAACP Image Awards with 9 Going Into Final Night
Producers Guild (PGA) and Screen Actors Actors Guild (SAG) Awards Television Predictions: Stop Me If You Think That You’ve Heard This One Before
41st Casting Society Artios Awards (CSA): ‘Sinners,’ ‘Jay Kelly,’ ‘The Pitt,’ ‘The Studio’ and More
César Awards: ‘The Ties That Bind Us’ Wins Best Film; Richard Linklater Becomes Second American-born Filmmaker to Win Best Director
A Guide to the 2026 Oscar-Nominated Documentary Short Films
A Guide to the 2026 Oscar-Nominated Live Action Short Films
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
Frontrunner Friday Oscar Predictions: The Pre-BAFTA Conclave Begins, Will a New Frontrunner Be Anointed? (2/20/26)
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
‘In the Hand of Dante’ Review: Julian Schnabel’s Less Than Divine Comedy of Errors Belongs in the 9th Circle of Hell [D+] Venice
2025 Creative Arts Emmys Predictions: ‘The Pitt,’ ‘Severance’ and ‘The Studio’ Should Dominate
‘Frankenstein’ Review: To the Victor Go the Spoils [B] Telluride
AwardsWatch Podcast Ep. 305 – 2025 Telluride Wrap-Up
‘The Voice of Hind Rajab’ Review: Kaouther Ben Hania’s Harrowing Look at a Palestinian Genocide Flashpoint is the Most Indispensable Film of the Decade [A] Venice
‘Duse’ Review: The Chaos of a Legend is Captured in Pietro Marcello’s Endurance Test of a Costume Drama [C-] Venice
Telluride Dispatch #4: ‘Cover-Up,’ ‘Tuner,’ and the Friends We Made Along the Way
‘A House of Dynamite’ Review: Kathryn Bigelow’s Politics Apocalypse is a Potent Potboiler [B+] Venice
‘Father Mother Sister Brother’ Review: Jim Jarmusch’s Family Affair is an Uneven Triptych of Ties that Bind [C+] Venice
76th American Cinema Editors ACE Eddie Awards: ‘Sinners,’ ‘One Battle After Another,’ ‘The Pitt’ Take Top Wins
Interview: Stellan Skarsgård on Navigating the Ever-Changing Film Industry and the Cathartic Ending of ‘Sentimental Value’
Director Watch Podcast Ep. 141 – ’49th Parallel aka The Invaders’ (Powell and Pressburger, 1942)