Train to Busan’s Yeon Sang-ho returns to the low budget mystery thriller genre by adapting his debut graphic novel (Face) into a feature film. The... Read More
Other
If a propaganda film is dull, does it make a sound? Probably not, since the whole point of propaganda is to influence perception, which requires... Read More
Leonardo Di Costanzo’s Elisa is a deliberate and methodical exploration of guilt, memory, and the psychology of extreme acts of violence. At the center is... Read More
It’s always a fun and exciting exercise to see how a videogame gets adapted or reinterpreted on the big screen. Such is the case with... Read More
The 2025 SCAD Savannah Film Festival announced today that acclaimed filmmaker Jon M. Chu will receive the Vanguard Director Award in recognition of his visionary storytelling. Chu will be honored on... Read More
Driver’s Ed is exactly what you would expect from a Bobby Farrelly teenage comedy — awkward, weird, unfunny, and shockingly tame despite all the swearing,... Read More
The underlying theme of the 2025 Venice Film Festival seems to be the moral and ethical dilemmas faced by human beings: the implications of one’s... Read More
Once upon the 1980s there was a little NBCmovie about Kate, a seemingly perfect, beautiful housewife who harbored a dark and disturbing secret—she furtively ate... Read More
Sudden fame would feel unnatural for anyone—let alone Ed Saxberger, an aging post office worker turned native New Yorker. One evening, he returns home from... Read More
Hot off its world premiere at the Telluride Film Festival last week, Chloé Zhao’s Hamnet is set to open the 48th Mill Valley Film Festival... Read More

2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc
Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978)
‘Lee Cronin’s The Mummy’ Review: Careful the Spell You Cast, Children Will Listen (and Sometimes Kill) [C]
‘Beef’ Season 2 Review: Oscar Isaac, Carey Mulligan, Cailee Spaeny and Charles Melton Sink Their Teeth Into Lee Sung Jin’s Meaty Morality Tale [A-]
Interview: Director David Lowery on How ‘The Red Shoes,’ Taylor Swift, and Artistic Internal Struggles Were Forged to Conjure Up ‘Mother Mary’ [AUDIO]
George Clooney to be Honored at 51st Chaplin Award Gala by Stephen Colbert, Sam Rockwell and More
Santa Barbara International Film Festival (SBIFF) Announces 2027 Dates
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc
‘The Ugly’ (얼굴) Review: In Yeon Sang-ho’s Dark Mystery, It’s the Soul That Needs the Surgery [B+] TIFF
‘Eagles of the Republic’ Review: Behind the Scenes of an Empty, Dull Propaganda Film [C-] TIFF
‘Elisa’ Review: Di Costanzo’s Film is a Story Lost in Its Own Silence [B-] Venice
‘Exit 8’ Review: The Viral Indie Horror Game Stuns on the Big Screen [B+] TIFF
Jon M. Chu to Receive Vanguard Director Award from SCAD Film Festival
‘Driver’s Ed’ Review: Bobby Farrelly’s Middle of the Roadtrip Teen Comedy is Stuck in Neutral [C] TIFF
‘The Sun Rises on Us All’ Review: Cai Shangjun’s Latest is Often an Aimless Take on ‘Past Lives’ [C] Venice
‘Maddie’s Secret’ Review: John Early’s Directorial Debut Isn’t Quite the Gag-Worthy Parody It Should Be [C+] TIFF
‘Late Fame’ Review: Willem Dafoe and Greta Lee Sparkle in Kent Jones’s Fizzled Fable [C+] Venice
Chloé Zhao’s ‘Hamnet’ to Open 48th Mill Valley Film Festival, Star Jessie Buckley to Receive MVFF Award
Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978)
‘Lee Cronin’s The Mummy’ Review: Careful the Spell You Cast, Children Will Listen (and Sometimes Kill) [C]