“All my memories are movies” says the titular Jay Kelly (George Clooney) to his mentor, veteran director Peter Schneider (Jim Broadbent) as they stand in... Read More
Other
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
Day three of the 52nd Telluride Film Festival has revealed a striking theme woven through its lineup: imperfect fathers. Across many of the films I... Read More
In Rose of Nevada, the sea does not simply serve as a backdrop but as a force of memory and fate. Mark Jenkin returns to... Read More
Religious dramas are not really my cup of tea, to use a British expression. I’m a big fan of Ingmar Bergman, but I’m not really... Read More
This musical biopic can be a tricky thing to get right, especially for a fan of the artist being portrayed in the film. The growing... Read More
Since the start of humanity, mankind has always been fascinated with the concept of time. The notion of past, present, future has often been analyzed... Read More
“All that lives must die,/Passing through nature to eternity.” -Hamlet Act One, Scene 2 Early in Chloé Zhao’s staggering Shakespearean fairytale, Hamnet, Agnes (Jessie Buckley)... Read More
In the new film Tuner, an aging piano tuner and his young apprentice and assistant trapeze around the Tri-State area fine tuning pianos mostly for... Read More
Yesterday was an easygoing two-film day, bookended by parties. I kicked things off at the Focus Features event, where Jessie Buckley and Paul Mescal dropped... Read More

2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc
Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978)
‘Lee Cronin’s The Mummy’ Review: Careful the Spell You Cast, Children Will Listen (and Sometimes Kill) [C]
‘Beef’ Season 2 Review: Oscar Isaac, Carey Mulligan, Cailee Spaeny and Charles Melton Sink Their Teeth Into Lee Sung Jin’s Meaty Morality Tale [A-]
Interview: Director David Lowery on How ‘The Red Shoes,’ Taylor Swift, and Artistic Internal Struggles Were Forged to Conjure Up ‘Mother Mary’ [AUDIO]
George Clooney to be Honored at 51st Chaplin Award Gala by Stephen Colbert, Sam Rockwell and More
Santa Barbara International Film Festival (SBIFF) Announces 2027 Dates
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc
‘Jay Kelly’ Review: Fame Comes at a Reflective, Personal Price in Noah Baumbach’s Newest Masterpiece [A-] Telluride
Director Watch Podcast Ep. 114 – ‘Late Spring’ (Yasujirō Ozu, 1949)
Telluride Dispatch #3: Dad Mode with ‘Sentimental Value,’ ‘Hamnet,’ ‘Frankenstein’
‘Rose of Nevada’ Review: George MacKay and Callum Turner Get Spooked in Mark Jenkin’s Ghostly Fisherman Fable [A-] Venice
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A] Venice
‘Springsteen: Deliver Me From Nowhere’ Review: Scott Cooper’s Uneven Snapshot at The Boss’ Crucial Album Features an Astonishing Jeremy Allen White [C+] Telluride
‘Below the Clouds’ Review: Gianfranco Rosi’s Volcano Doc Erupts with Humanity [B+] Venice
‘Hamnet’ Review: Jessie Buckley and Paul Mescal Will Break Your Heart in Chloé Zhao’s Timeless Tale of Profound Loss and Boundless Love [A] Telluride
‘Tuner’ Review: Dustin Hoffman’s Piano Lesson is so Tightly Wound it Plays Entirely Off Key [D] Telluride
Telluride Dispatch #2: Parties Galore, ‘Bugonia’ and ‘Jay Kelly’
Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978)
‘Lee Cronin’s The Mummy’ Review: Careful the Spell You Cast, Children Will Listen (and Sometimes Kill) [C]