This is the first Frontrunner Friday post-Oscar nominations and this weekend alone will unveil the ACE Eddie winners (tonight), the Producers Guild awards on Saturday... Read More
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The ACE Eddies, the American Cinema Editors awards, are tonight and the Producers Guild of America will hand out its Best Picture prize tomorrow night.... Read More
The Golden Globes and Critics Choice went lockstep with the same four acting winners in lead and supporting for film and I’m not expecting the... Read More
The North Dakota Film Society has chosen Once Upon a Time in Hollywood as the Best Picture of 2019, also awarding the film Best Screenplay... Read More
When 24-year-old Shannan Gilbert mysteriously disappears one night, her mother Mari (Academy Award nominee Amy Ryan) embarks on a dark journey that finds her face... Read More
“Fine isn’t the same as happy.” The intimate, intense and loving story of Hope Gap charts the life of Grace (Golden Globe winner and Academy... Read More
Dolittle is a befuddling and bewildering mess that’s barely passable for kids and nearly unwatchable for grownups. Writer/director Stephen Gaghan $175M disaster is filled with... Read More
‘Bad Boys for Life’ is an explosive, thrilling slice of nostalgia that evokes memories of ‘Lethal Weapon.’ The past is fresh once again! Perhaps, but... Read More
The lineup of the 27th edition of the SXSW Film Festival has been announced and Judd Apatow’s The King of Staten Island, starring Pete Davidson will be the... Read More
The 2020 Oscar nominations are in but have you seen all the films up for awards? While many December releases like 1917, Bombshell and Little... Read More

Director Watch Podcast Ep.156 – ‘The Prestige’ (Christopher Nolan, 2006) with Special Guest Jake Tropila
‘Parallel Tales’ Review: Asghar Farhadi’s Kieślowski Dupe Fumbles Its Fact vs Fiction Story [D+]
Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
American Cinema Editors (ACE) and Producers Guild (PGA) Preview and Predictions
Screen Actors Guild (SAG) Preview and Predictions
North Dakota critics love ‘Once Upon a Time…,’ ‘The Lighthouse’
Trailer: True story crime drama ‘Lost Girls’ from Liz Garbus with Amy Ryan, Thomasin McKenzie
‘Hope Gap’ trailer with Annette Bening, Bill Nighy and Josh O’Connor
Film Review: ‘Dolittle’ is the year’s first Razzie contender
Film Review: ‘Bad Boys for Life’ hits all the right notes
2020 SXSW Film Festival: Pete Davidson, Beastie Boys, ‘Snowpiercer’ series highlight lineup
How to Watch the 2020 Oscar-nominated Films and Performances
Director Watch Podcast Ep.156 – ‘The Prestige’ (Christopher Nolan, 2006) with Special Guest Jake Tropila
‘Parallel Tales’ Review: Asghar Farhadi’s Kieślowski Dupe Fumbles Its Fact vs Fiction Story [D+]
Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future