Małgorzata Szumowska’s latest feature is one of the year’s most visually stunning and hauntingly atmospheric films Known for her uncompromising, singular-vision works, Małgorzata Szumowska is... Read More
Other
Destin Daniel Cretton’s new feature film is a model of restraint and grace in the social justice film genre Films about social justice have long... Read More
Rian Johnson’s latest is an entertaining and compelling mystery tale with a comedic twist Crime/mystery films, or as Rian Johnson prefers to call it ‘whodunnit’,... Read More
The awards for the 76th Venice International Film Festival were handed out this evening and Todd Phillips’ vivid and dark DC Comics origin story Joker... Read More
Hisham Saqr’s debut may not be narratively exciting but it marks an assured debut by a new voice willing to take rare risks in Egyptian... Read More
Michael B. Jordan and Jamie Foxx shine in the true story of a man wrongfully imprisoned and the civil rights hero who fights for him... Read More
Armando Iannucci’s period piece is a charming yet incoherent film that hold commercial potential but lacks artistic risks In a departure from his more satirical... Read More
Jayro Bustamante’s atmospheric film is a unique, inventive look at dictatorship and racism in war-torn Guatemala In his much anticipated follow up to Tremblores and... Read More
Highlights include JUST MERCY, THE IRISHMAN, HARRIET, MOTHERLESS BROOKLYN, PARASITE, WAVES, FORD v FERRARI, JOJO RABBIT, THE LIGHTHOUSE, HONEY BOY, and MARRIAGE STORY The Mill... Read More
Scott Z. Burns’ film is an engrossing, gripping look at one of the most crucial and eye-opening reports in US history Known for his intriguing... Read More

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
Toronto Review: Małgorzata Szumowska’s stunning and enchanting ‘The Other Lamb’
Toronto Review: Another take on the graceful, sharp and impeccably acted ‘Just Mercy’
Toronto Review: Rian Johnson’s ‘Knives Out’ is packed with wit and intrigue
‘Joker’ wins Best Film at 2019 Venice International Film Festival Awards
Toronto Review: ‘Certified Mail’ is a risky debut with a career-best performance from Egyptian star Basma
Toronto Review: ‘The Personal History of David Copperfield’ is unremarkable despite strong performances by Patel and Swinton
Toronto Review: the inventive and touching ‘La Llorona’
42nd Mill Valley Film Festival Lineup: ‘Waves,’ ‘Ford v Ferrari,’ ‘Just Mercy’ plus spotlights on Kristen Stewart, Robert Pattinson and more
Toronto Review: Scott Z. Burns’ ‘The Report’ is an an essential celebration of the pursuit of truth
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes