A much, much richer category than Adapted, the sheer volume of high-level contenders in Original Screenplay this year is overwhelming. The box office may be... Read More
Other
The Irishman (Netflix) and Ford v Ferrari (20th Century Fox) hold their positions in Adapted Screenplay this month but there’s a lot of movement elsewhere,... Read More
All of the handmaids shun Ofmatthew after the reveal that she was responsible for Hannah’s martha’s execution and for Hannah being relocated. Janine, ever reluctant... Read More
20th Century Fox and The Walt Disney Studios have shared the first image of Ariana DeBose as Anita in Steven Spielberg’s remake of the 10-time... Read More
The Limited Series/TV Movie categories for the Primetime Emmy Awards have gone through a lot of rule changes the last few years to keep up... Read More
The winners of the 2018-2019 International Online Cinema Awards (INOCA) for television have been announced. Fleabag, Homecoming (both Amazon) and Succession (HBO) led the nominations,... Read More
“Just remember how things are organized around here.” Neon has released a 30-second TV spot of the Sundance hit Luce, the psychological thriller starring Academy... Read More
Between 1939, with their film animated feature Snow White, up to the early 1960s, The Walt Disney Company was the dominated studio for animated film.... Read More
We open this week on “fierce and flexible queens” taking the ballroom floor by storm, swirling and twirling and dipping like their lives depend on... Read More
“Based on an actual lie” That is the opening title card for Lulu Wang’s deeply personal and richly drawn The Farewell, providing us immediately with... Read More

Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
2020 Oscar Nomination Predictions: ORIGINAL SCREENPLAY (July)
2020 Oscar Nomination Predictions: ADAPTED SCREENPLAY (July)
TV Recap: ‘The Handmaid’s Tale’ Episode 8 – “Unfit”
First Look: Ariana DeBose as Anita in Steven Spielberg’s ‘West Side Story’
2019 Emmy Nomination Predictions: The Limited Series/TV Movie Categories
‘Fleabag,’ ‘Pose,’ ‘Game of Thrones,’ The Other Two’ top 2018-2019 INOCA TV Winners
New clip from ‘Luce’ starring Octavia Spencer
Review: ‘The Lion King’
TV Recap: ‘Pose’ Episode 4 – Candy’s Sweet Refrain
Review: Lulu Wang’s ‘The Farewell’
Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]