Taron Egerton sings his heart out (yes, that’s really him singing) in the first full trailer for the epic musical biopic of the life of... Read More
Other
BAFTA may have gone for The Favourite but that film isn’t nominated for the Oscar. Of the three films that are (why are there still... Read More
Spike Lee is finally going to win a competitive Oscar to go along with his Honorary one from 2016. Although the screenplay for BlacKkKlansman has... Read More
Can anything really beat Roma here? There’s really nothing standing in its way unless you think that the voting body doesn’t want to give the... Read More
I’ve sort of hammered away both in print and on podcasts that Production Design and Costume Design go hand in hand and in fact, they... Read More
There aren’t a lot of categories this year where I’m letting my heart lead the way instead of my head. In fact, Original Score might... Read More
A few months ago we all could have easily called Sound Mixing for A Star Is Born and called it a day. But that was... Read More
The first trailer and poster for Joanna Hogg’s Sundance-winning feature The Souvenir is here and is a gorgeously intoxicating morsel in the vein of Phantom... Read More
There’s a wealth of sadness, depravity and dreariness in many of the nominees in the short film categories with a few rays of light that... Read More
It’s hard to bet against a film that’s so utterly dominated nearly all precursors and that’s Spider-Man: Into the Spider-Verse. I know people want to... Read More

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
Taron Egerton is Elton John in trailer for ‘Rocketman’
FINAL 2019 Oscar Predictions: MAKEUP & HAIRSTYLING
FINAL 2019 Oscar Predictions: ADAPTED and ORIGINAL SCREENPLAY
FINAL 2019 Oscar Predictions: FOREIGN LANGUAGE FILM
FINAL 2019 Oscar Predictions: PRODUCTION DESIGN and COSTUME DESIGN
FINAL 2019 Oscar Predictions: ORIGINAL SCORE and ORIGINAL SONG
FINAL 2019 Oscar Predictions: SOUND EDITING and SOUND MIXING
First trailer and poster for Joanna Hogg’s Sundance-winning ‘The Souvenir’
FINAL Oscar Predictions: ANIMATED, DOCUMENTARY and LIVE-ACTION SHORT
FINAL 2019 Oscar Predictions: ANIMATED FEATURE
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes