At the age of 85, U.S. Supreme Court Justice Ruth Bader Ginsburg has developed abreathtaking legal legacy while becoming an unexpected pop culture icon. But... Read More
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After a truly wild week of social media uproar and industry backlash from actors, directors and editors, cinematographers and makeup & hairstylists guilds, the Academy... Read More
In the last Frontrunner Friday before final 2019 Oscar winner predictions come out next week, we have one of the biggest pieces of the puzzle... Read More
Costume designer Mary Zophres had created some of the most iconic looks in modern movie history. From The Dude’s robe and sweater in The Big... Read More
The 9th Annual Guild of Music Supervisors Awards announced their winner on Wednesday evening in a ceremony that took place at the Theatre at Ace... Read More
The Academy has has an odd history with this category. It’s bizarrely stuck at only three nominees when year to year shows there are more... Read More
It was one thing that film fans and Oscar fans alike joined forces to decry the Academy’s decision to move four categories – Cinematography, Film... Read More
The nominations for the 50th NAACP Image Awards celebrating the accomplishments of people of color in the fields of film, television, music, and literature were... Read More
Like Cinematography, Film Editing is one of this year’s category’s the Oscars’ producers decided to move to a commercial break and be inserted into the... Read More
I know some people want this to be a closer race than it is; that Olivia Colman’s BAFTA win is somehow a bigger factor than... Read More

Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
Interview: Betsy West and Julie Cohen, Oscar-nominated directors of ‘RBG’
2019 Oscars: Academy Reverses Decision After Industry Protest; All 24 Categories Will Be Broadcast Live
Frontrunner Friday: The show’s a mess, Oscar predictions are a roll of the dice
Interview: Mary Zophres, Oscar-nominated costume designer of ‘The Ballad of Buster Scruggs’
2019 Guild of Music Supervisors Awards: ‘A Star Is Born,’ ‘Mrs. Maisel,’ ‘This Is Us’
2019 Oscar Predictions: MAKEUP & HAIRSTYLING (February)
Can the Academy Save Itself From Itself?
‘Black Panther,’ ‘black-ish’ lead 50th NAACP nominations
2019 Oscar Predictions: FILM EDITING (February)
2019 Oscar Predictions: BEST ACTRESS (February)
Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]