‘In Water (mul-an-e-seo)’ review: Hong Sang-soo blurs the lines of his own self-reference to middling effect | Berlinale
What’s a year without a Hong Sang-soo film? Does a film festival even exist, if it does not feature a regular slot for the prolific... Read More
berlin film festival
‘Roter Himmel (Afire)’ review: Paula Beer is on fire in Christian Petzold’s tragicomic climate crisis allegory | Berlinale
Berlin Film Festival favourite Christian Petzold is back in competition with his latest film, Roter Himmel, titled Afire in English. Thomas Shubert stars alongside long-time... Read More
‘Past Lives’ review: Celine Song’s poignant debut is a nuanced little wonder | Berlinale
Three devastatingly attractive people are sitting at a bar: who are they? Or more importantly, who are they to each other? This initial curiosity bordering... Read More
‘Disco Boy’ review: Franz Rogowski enchants in Giacomo Abbruzzese’s daring, dreamlike debut feature | Berlinale
Disco Boy is both equal parts mysterious and beguiling, as director Giacomo Abbruzzese guides the audience on a harrowing, yet intimate and sometimes dream-like journey.... Read More
‘Femme’ review: George MacKay is frightening as a hyper-masculine thug in this daring London-set neo-noir | Berlinale
Femme is a neo-noir-inspired queer revenge thriller that stars British actors Nathan Stewart-Jarrett and George MacKay. Writer-directors Sam H. Freeman and Ng Choon Ping show... Read More
‘Ingeborg Bachmann – Journey into the Desert’ review: Vicky Krieps disappears in Margarethe von Trotta’s elegant return to cinema | Berlinale
Margarethe von Trotta’s latest film is a graceful triumph of modern European cinema. Vicky Krieps is the window into the heart of von Trotta’s film,... Read More
‘Manodrome’ review: Jesse Eisenberg is phenomenal in John Trengove’s fascinating take on toxic masculinity | Berlinale
The Wound, the acclaimed debut by the South African director John Trengove, provides a good launchpad for his sophomore feature, with Xhosa initiation traditions swapped... Read More
‘Reality’ review: Sydney Sweeney is a tour de force in intense U.S. election whistleblower thriller | Berlinale
Playwright Tina Satter makes her screen debut with Reality, a simmering investigative drama reconstructing the arrest of Reality Winner, an NSA contractor and ex-Air Force... Read More
Berlinale 2022 review: Charlotte Gainsbourg shines in ‘The Passengers of the Night’ from Mikhaël Hers [Grade B-]
The Passengers of the Night opens with a title card announcing the date: May 10th, 1981. In recent French history, that day marks the election... Read More
Berlinale 2022: Carla Simón’s ‘Alcarràs’ wins Golden Bear for Best Film, Claire Denis named Best Director
The 2022 Berlin Film Festival jury has awarded Alcarràs, Carla Simón’s film about a Catalan farming family facing eviction from their land, the Golden Bear... Read More
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers 
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc 
Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978) 
‘Lee Cronin’s The Mummy’ Review: Careful the Spell You Cast, Children Will Listen (and Sometimes Kill) [C]