2026 Chicago Critics Film Festival Reviews: ‘Black Zombie,’ ‘The Last One for the Road,’ ‘Loafers,’ ‘You Had to Be There’
Black Zombie (Dir. Maya Annik Bedward) Zombies have been used in nearly a century’s worth of cinema in arguably more varied ways than any other... Read More
chicago critics film festival
2026 Chicago Critics Film Festival top Open with Olivia Wilde’s ‘The Invite,’ Announces Special Guests and Recipients of 2026 Emerging Critics Grant
The Chicago Film Critics Association (CFCA), the Chicago-area print, online and broadcast critics group that celebrates the art of film and film criticism, today announces the complete... Read More
‘A Little Prayer’ Review: Angus MacLachlan’s Gentle Family Drama Finds Beauty in the Seemingly Unremarkable [B] | Chicago Critics Film Festival
It’s been said that life doesn’t always make sense until examined in retrospect. The idea of waiting until a later point in one’s existence to... Read More
‘Good One’ Review: India Donaldson’s Feature Debut is a Profound and Big-Hearted Triumph | Chicago Critics Film Festival
It’s a risky prospect to give a movie a title that could also be used to critically assess it. Some titles are basically asking to... Read More
‘Dandelion’ Review: KiKi Layne is Electric in Wilted Story of a Musician’s Journey | Chicago Critics Film Festival
Most actors count themselves lucky to land a leading role. In the case of Dandelion, the new film from writer-director Nicole Riegel, the movie is... Read More
‘Oddity’ Review: Damian Mc Carthy’s Mannequin Horror is Anything But Wooden | Chicago Critics Film Festival
Films that rely on jump scares are a controversial topic amongst horror fans. Some prefer them over the kinds of mood-based, slow paced “elevated” horror... Read More
11th Chicago Critics Film Festival Lineup: ‘Sing Sing,’ ‘Thelma,’ Babes,’ ‘Cuckoo’ and More
Fest will also feature anniversary screenings of Gillian Armstrong’s Little Women, Martin Scorsese’s Bringing Out the Dead and Ghost in the Shell 2: Innocence The... Read More
‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes 
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes 
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes 
‘Full Phil’ Review: Kristen Stewart is in Peak Form in Quentin Dupieux’s Manic Father-Daughter Comedy [C+] Cannes