2020 Oscars: 25 Best International Feature Film Contenders That Are Not ‘Parasite’
‘25 Best International Feature Film Contenders That Are Not Parasite’ is a 5-part series by Carlos Aguilar, his first for AwardsWatch. In this series, Carlos... Read More
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2020 Oscars: 25 Best International Feature Film Contenders That Are Not ‘Parasite’ – Part 1
Introducing ‘25 Best International Feature Film Contenders That Are Not Parasite,’ a 5-part series by Carlos Aguilar, his first for AwardsWatch. In this series, Carlos... Read More
2020 Oscar Nomination Predictions: ANIMATED, DOCUMENTARY, INTERNATIONAL FEATURE (November)
Netflix’s Klaus made a big splash last week and it moves up into the top 10. They also have a major contender in I Lost... Read More
2019 Oscars: A Look at Latin American Films in This Year’s Foreign Language Oscar Race
Our weekly Foreign Language Film Oscar race analysis pieces are back! For the next eight weeks, we will be taking a close look at this... Read More
2019 Oscars: The State of the Foreign Language Film Oscar race
The Foreign Language Film Oscar is fully underway with the Berlin and Cannes Film Festivals already providing us with a wealth of contenders and plenty... Read More
2019 Oscars: From Spain’s ‘Everybody Knows’ to South Korea’s ‘Burning’ – 16 Foreign Language Films to Keep an Eye on at Cannes
[divider style=”normal” top=”20″ bottom=”20″] With just 10 days to go until the 71st edition of the Cannes Film Festival, it’s time to look at the... Read More
2018 Oscars: Record 92 Countries to Compete for Foreign Language Film Oscar
A record 92 countries will compete for the Foreign Language Film Oscar. Haiti, Honduras, Lao People’s Democratic Republic, Mozambique, Senegal, and Syria are first-time entrants.... Read More
2016 Oscars: Best Foreign Language Film
So, Son of Saul is winning this in a cakewalk, right? Eh, not so fast. This is one of the categories at next week’s... Read More
The 9-film shortlist for the Foreign Language Film Oscar was revealed today and while the expected mentions for Hungary’s Son of Saul and France’s... Read More
‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes 
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes 
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes 
‘Full Phil’ Review: Kristen Stewart is in Peak Form in Quentin Dupieux’s Manic Father-Daughter Comedy [C+] Cannes