Review: There’s more love to be found in ‘To All The Boys: P.S. I Still Love You’
To All The Boys: P.S. I Still Love You perfectly captures the angst and awkwardness of…
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film review
Review: Julia Garner is absolutely revelatory in Kitty Green’s taut, #MeToo drama ‘The Assistant’
My very first job interview when I moved to New York twenty years ago was…
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Review: ‘The Gentlemen’ is a gangster’s paradise
The Gentlemen is a highly stylized, well-written gangster romp that’s entertaining as hell. Writer/director Guy Ritchie has outdone himself in…
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Sundance Review: ‘Taylor Swift: Miss Americana’
When the title card for the new Netflix documentary, Miss Americana, appeared on screen at…
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Review: ‘Bad Boys for Life’ hits all the right notes
‘Bad Boys for Life’ is an explosive, thrilling slice of nostalgia that evokes memories of…
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Review: Céline Sciamma challenges the male gaze with the meticulous and gorgeous ‘Portrait of a Lady on Fire’
The concept of the male gaze is almost literally what defines Hollywood. Movies made in…
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AFI FEST Review: ‘Ivana the Terrible’
It’s sometimes easy to forget that film is an art form. And, as with any…
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AFI FEST Review: ‘Love Me Tender’
The internal struggles of a character are often the most difficult to portray in a…
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AFI FEST Review: Alex Gibney’s ‘Citizen K’ is a warning call
We can talk a lot about films being relevant or tapping into the zeitgeist, but…
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AFI FEST Review: ‘Knives and Skin’ is a dark and twisty ride
While I love nothing more than a completely original idea, there’s also something really cool…
