Film Review: ‘Borat 2’ is some good, some no, but more why is here
One of the biggest pitfalls that some critics run into is separating their personal feelings…
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AFI FEST Review: ‘Sound of Metal’ is thunderous
Writer/director Darius Marder’s new film, The Sound of Metal, explores, quite beautifully and somewhat elegiacally,…
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AFI FEST Review: ‘I’m Your Woman’ flips the script on your dad’s mob drama
Hollywood, despite its recent struggles, still remains at the forefront of the movement to push…
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Film Review: Even with a unique twist on the classic body swap premise, ‘Freaky’ fails to outrun its clunky and dated shortcomings
The body swap genre has been through the modern-day movie meat grinder. There have been…
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Film Review: Pietro Marcello’s brilliant ‘Martin Eden’ features a breathtaking performance from Luca Marinelli
As we teeter toward the death throes of a civilization choked with the excess of…
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LFF Review: Colin Firth and Stanley Tucci give career-best turns in a champagne ‘Supernova’ in the sky
The most delicate moments of Supernova, the sublime sophomore feature from British director Harry Macqueen,…
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Film Review: The multi-dimensional ‘Archenemy’ is an alt-superhero tale that never gets off the ground
We’re living in the era of the anti-superhero. After decades of caped and masked crusaders…
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Film Review: Sally Hawkins’ ‘Eternal Beauty’ isn’t just skin deep
One word to describe Sally Hawkins’ talent is chameleonic. Even if she never undergoes a…
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Film Review: An actor’s career, redemption, and life are on the ropes in ‘You Cannot Kill David Arquette’
When you hear the name David Arquette, you might think of the actor from the…
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Fantasia Review: Bryan Bertino is back with ‘The Dark and the Wicked,’ a masterful supernatural horror
“Because you were home” is still a chilling phrase twelve years later. Bryan Bertino burst…
