While revisionist westerns aren’t exactly popular, they do important work in dispelling the myth of the Great American West. On Swift Horses, Daniel Minahan’s adaptation... Read More
jacob elordi
A Venice mainstay himself, Schrader premiered his newest chamber piece, Oh Canada in this year’s Cannes Competition and after The Card Counter’s elegant harshness and... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
Tiny toes sporting a fresh pedicure step daintily across a carpet as a harp plays. Garish decor, swans, tchotchkes, and framed records tell us we’re... Read More
Opening a film with a roar of choral singers and stylized Old English titles thrusts the viewer into a very familiar, traditional English world. But... Read More
MGM and Amazon Studios have released the first trailer for Saltburn, Oscar winner Emerald Fennell’s follow up to her Oscar-winning debut Promising Young Woman. A... Read More
Amazon Studios and MGM announced today that Saltburn, Emerald Fennell’s follow-up to her Oscar-winning debut Promising Young Woman, will open the 67th BFI London Film... Read More
Film at Lincoln Center announced on Wednesday that Sofia Coppola’s Priscilla will be the Centerpiece selection for the 61st New York Film Festival, making its North American... Read More
A24 has released a 45-second first look teaser for Priscilla, the newest film from Oscar-winning director Sofia Coppola, detailing the life of Priscilla and Elvis... Read More
The Safdie Brothers’ Good Time cinematographer Sean Price Williams returns to the Cannes Film Festival after last year’s Funny Pages premiere but this time as... Read More

‘On Swift Horses’ Review: Daniel Minahan’s Unsexy Adaptation Rides On Svelte Torsos and Not Much Else | TIFF
‘Oh Canada’ Review: Proxy Richard Gere is Superb as Paul Schrader Points the Camera at Himself | Cannes
Director Watch Ep. 46 – ‘Priscilla’ (Sofia Coppola, 2023)
‘Priscilla’ Review: Cailee Spaeny is Magnificent in Sofia Coppola’s Intricate Diary of A Lonesome Teenage Girl | NYFF
‘Saltburn’ Review: Emerald Fennell Throws a Brilliant Bacchanal of Obsession, Repulsion, and Desire | Telluride
Barry Keoghan and Jacob Elordi Scorch in First Trailer for ‘Saltburn’
Emerald Fennell’s ‘Saltburn’ to open 67th BFI London Film Festival
Sofia Coppola’s Priscilla is the Centerpiece Selection of 61st New York Film Festival
Sofia Coppola’s ‘Priscilla’ gets a dreamy teaser trailer from A24
‘The Sweet East’ review: Talia Ryder is exceptional in this satirically nihilistic look at American anarchy | Cannes
Academy Announces 27 Recipients From Wētā, ILM, DreamWorks Animation and More for Scientific and Technical Achievements
‘How to Make a Killing’ Review: The Latest Eat the Rich Satire is Starving to Death [C-]
BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare?
Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’