Director Watch Ep. 46 – ‘Priscilla’ (Sofia Coppola, 2023)
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
jacob elordi
‘Priscilla’ Review: Cailee Spaeny is Magnificent in Sofia Coppola’s Intricate Diary of A Lonesome Teenage Girl | NYFF
Tiny toes sporting a fresh pedicure step daintily across a carpet as a harp plays. Garish decor, swans, tchotchkes, and framed records tell us we’re... Read More
‘Saltburn’ Review: Emerald Fennell Throws a Brilliant Bacchanal of Obsession, Repulsion, and Desire | Telluride
Opening a film with a roar of choral singers and stylized Old English titles thrusts the viewer into a very familiar, traditional English world. But... Read More
Barry Keoghan and Jacob Elordi Scorch in First Trailer for ‘Saltburn’
MGM and Amazon Studios have released the first trailer for Saltburn, Oscar winner Emerald Fennell’s follow up to her Oscar-winning debut Promising Young Woman. A... Read More
Emerald Fennell’s ‘Saltburn’ to open 67th BFI London Film Festival
Amazon Studios and MGM announced today that Saltburn, Emerald Fennell’s follow-up to her Oscar-winning debut Promising Young Woman, will open the 67th BFI London Film... Read More
Sofia Coppola’s Priscilla is the Centerpiece Selection of 61st New York Film Festival
Film at Lincoln Center announced on Wednesday that Sofia Coppola’s Priscilla will be the Centerpiece selection for the 61st New York Film Festival, making its North American... Read More
Sofia Coppola’s ‘Priscilla’ gets a dreamy teaser trailer from A24
A24 has released a 45-second first look teaser for Priscilla, the newest film from Oscar-winning director Sofia Coppola, detailing the life of Priscilla and Elvis... Read More
‘The Sweet East’ review: Talia Ryder is exceptional in this satirically nihilistic look at American anarchy | Cannes
The Safdie Brothers’ Good Time cinematographer Sean Price Williams returns to the Cannes Film Festival after last year’s Funny Pages premiere but this time as... Read More
Midnight Critics Circle (MCC) Awards: ‘Marty Supreme’ Wins Best Picture 
‘Undertone’ Review: This Pod Means Death in Ian Tuason’s Paranormal Aural Creeper [B+] | Sundance 
‘The Weight’ Review: Ethan Hawke is Ever-Reliable in Tension-Free, Depression Era Actioner [B-] | Sundance 
‘The Only Living Pickpocket in New York’ Review: John Turturro is Wonderful as a Timeless Anti-Hero with a 1970s Vibe [A-] | Sundance