As solid as a top 3 can be in almost any category this season, but I’m moving things around a bit. With One Battle After... Read More
jacob elordi
For close to one hundred years, Frankenstein has always been a complex, fascinating tale of the moral consequences from man’s decision to create something beyond... Read More
While revisionist westerns aren’t exactly popular, they do important work in dispelling the myth of the Great American West. On Swift Horses, Daniel Minahan’s adaptation... Read More
A Venice mainstay himself, Schrader premiered his newest chamber piece, Oh Canada in this year’s Cannes Competition and after The Card Counter’s elegant harshness and... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
Tiny toes sporting a fresh pedicure step daintily across a carpet as a harp plays. Garish decor, swans, tchotchkes, and framed records tell us we’re... Read More
Opening a film with a roar of choral singers and stylized Old English titles thrusts the viewer into a very familiar, traditional English world. But... Read More
MGM and Amazon Studios have released the first trailer for Saltburn, Oscar winner Emerald Fennell’s follow up to her Oscar-winning debut Promising Young Woman. A... Read More
Amazon Studios and MGM announced today that Saltburn, Emerald Fennell’s follow-up to her Oscar-winning debut Promising Young Woman, will open the 67th BFI London Film... Read More
Film at Lincoln Center announced on Wednesday that Sofia Coppola’s Priscilla will be the Centerpiece selection for the 61st New York Film Festival, making its North American... Read More

2026 Oscar Predictions: SUPPORTING ACTOR (October)
‘Frankenstein’ Review: To the Victor Go the Spoils [B] Telluride
‘On Swift Horses’ Review: Daniel Minahan’s Unsexy Adaptation Rides On Svelte Torsos and Not Much Else | TIFF
‘Oh Canada’ Review: Proxy Richard Gere is Superb as Paul Schrader Points the Camera at Himself | Cannes
Director Watch Ep. 46 – ‘Priscilla’ (Sofia Coppola, 2023)
‘Priscilla’ Review: Cailee Spaeny is Magnificent in Sofia Coppola’s Intricate Diary of A Lonesome Teenage Girl | NYFF
‘Saltburn’ Review: Emerald Fennell Throws a Brilliant Bacchanal of Obsession, Repulsion, and Desire | Telluride
Barry Keoghan and Jacob Elordi Scorch in First Trailer for ‘Saltburn’
Emerald Fennell’s ‘Saltburn’ to open 67th BFI London Film Festival
Sofia Coppola’s Priscilla is the Centerpiece Selection of 61st New York Film Festival
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc
Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978)
‘Lee Cronin’s The Mummy’ Review: Careful the Spell You Cast, Children Will Listen (and Sometimes Kill) [C]