‘Lady Chatterly’s Lover’ review: Little to love beyond Emma Corrin and Jack O’Connell’s performances in Laure de Clermont-Tonnerre’s listless adaptation | LFF
A spirit of thoughtless anachronism looms over Laure de Clermont-Tonnerre’s Lady Chatterley’s Lover, Netflix’s crude and cynical attempt at seeing if some of the steam... Read More
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‘Blue Jean’ review: Georgia Oakley’s searing feature debut is a remarkably poignant British drama of the viciously homophobic Thatcher era [A] | LFF
It’s 1988 in Tyneside, North East England, and Margaret Thatcher has been Prime Minister for a year when the conservative government enacts Section 28, a... Read More
‘The Phantom of the Open’ review: Mark Rylance hits an ace in endearing sports comedy [Grade B+] (London Film Festival)
Craig Roberts’ latest sees Mark Rylance delivering the most endearing performance of the year, he is incredibly lovable. Obviously, with The Phantom of the Open... Read More
‘Great Freedom’ review: Franz Rogowski is transformative in this sombre period prison drama [Grade: A-] (London Film Festival)
Take it from someone who has lived here for all of his twenty-five years: Englanders, for the most part, are so blinded by exceptionalism as... Read More
‘The Tender Bar’ review: Ben Affleck raises the bar in George Clooney’s largely inept newest directorial outing [Grade: D+] (London Film Festival)
When you’re at a festival populated by indie slow-burners, a maudlin, easy-to-watch soap opera can be a wonderful, soupy balm. Just before the pandemic sent... Read More
2020 BFI London Film Festival will world premiere Pixar’s ‘Soul,’ ‘Ammonite’ to close fest
The BFI London Film Festival will play the UK from October 7-18 The 2020 edition of the BFI London Film Festival will be a hybrid... Read More
London Film Festival Review: Rose Glass’ slow-burn horror ‘Saint Maud’ is a potent debut feature
As the nights turn longer and the weather turns colder, here’s a happy thought: at least things aren’t as bad for you as they are... Read More
London Film Festival Review: ‘The House of Us’ is an utter delight
It’s no wonder kids find us adults so baffling so much of the time. After all, even us curmudgeonly critics once were children, accepting the... Read More
London Film Festival Review: The arresting and experimental ‘Krabi, 2562’
An insider’s view of her home country intertwines with an outsider’s view in Krabi, 2562, an accessible experimental work from Anocha Suwichakornpong and Ben Rivers. She brings... Read More
LFF Review: Alfre Woodard is mesmerizing in ‘Clemency’
A stark, sombre drama with barely a second’s worth of levity, Chinonye Chukwu’s Clemency is heavy, punishing stuff. It courts the kind of emotional extremes... Read More
Director Watch Podcast Ep. 72 – ‘Three Colours: Blue’ (Krzysztof Kieślowski, 1993) 
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