A spirit of thoughtless anachronism looms over Laure de Clermont-Tonnerre’s Lady Chatterley’s Lover, Netflix’s crude and cynical attempt at seeing if some of the steam... Read More
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It’s 1988 in Tyneside, North East England, and Margaret Thatcher has been Prime Minister for a year when the conservative government enacts Section 28, a... Read More
Craig Roberts’ latest sees Mark Rylance delivering the most endearing performance of the year, he is incredibly lovable. Obviously, with The Phantom of the Open... Read More
Take it from someone who has lived here for all of his twenty-five years: Englanders, for the most part, are so blinded by exceptionalism as... Read More
When you’re at a festival populated by indie slow-burners, a maudlin, easy-to-watch soap opera can be a wonderful, soupy balm. Just before the pandemic sent... Read More
The BFI London Film Festival will play the UK from October 7-18 The 2020 edition of the BFI London Film Festival will be a hybrid... Read More
As the nights turn longer and the weather turns colder, here’s a happy thought: at least things aren’t as bad for you as they are... Read More
It’s no wonder kids find us adults so baffling so much of the time. After all, even us curmudgeonly critics once were children, accepting the... Read More
An insider’s view of her home country intertwines with an outsider’s view in Krabi, 2562, an accessible experimental work from Anocha Suwichakornpong and Ben Rivers. She brings... Read More
A stark, sombre drama with barely a second’s worth of levity, Chinonye Chukwu’s Clemency is heavy, punishing stuff. It courts the kind of emotional extremes... Read More

‘Lady Chatterly’s Lover’ review: Little to love beyond Emma Corrin and Jack O’Connell’s performances in Laure de Clermont-Tonnerre’s listless adaptation | LFF
‘Blue Jean’ review: Georgia Oakley’s searing feature debut is a remarkably poignant British drama of the viciously homophobic Thatcher era [A] | LFF
‘The Phantom of the Open’ review: Mark Rylance hits an ace in endearing sports comedy [Grade B+] (London Film Festival)
‘Great Freedom’ review: Franz Rogowski is transformative in this sombre period prison drama [Grade: A-] (London Film Festival)
‘The Tender Bar’ review: Ben Affleck raises the bar in George Clooney’s largely inept newest directorial outing [Grade: D+] (London Film Festival)
2020 BFI London Film Festival will world premiere Pixar’s ‘Soul,’ ‘Ammonite’ to close fest
London Film Festival Review: Rose Glass’ slow-burn horror ‘Saint Maud’ is a potent debut feature
London Film Festival Review: ‘The House of Us’ is an utter delight
London Film Festival Review: The arresting and experimental ‘Krabi, 2562’
LFF Review: Alfre Woodard is mesmerizing in ‘Clemency’
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10