‘Anemone’ Review: Daniel Day-Lewis is a Force of Nature in this Modern, Familial Folktale [B] NYFF
When Daniel Day-Lewis shared that he was taking a break from acting after completing Phantom Thread, many wondered what he would do next. Was he... Read More
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‘Misericordia’ Review: Into the Woods the Path Isn’t So Straight | NYFF
Everyone has a secret they’d take to their grave— but at what cost? And is it really even a secret? Confronting the ghost of a... Read More
NYFF Review: In ‘French Exit,’ Michelle Pfeiffer gives a performance for the ages
I don’t know about you but not being able to see my mother in person in over a year thanks to the pandemic has made... Read More
NYFF Review: Middling modernist myth-making in ‘Atarrabi and Mikelats’
French filmmaker Eugène Green, like many directors, has a distinct style. His characters speak directly to the camera. They stand in the center of the... Read More
NYFF Review: Steve McQueen’s meditative ‘Red, White and Blue’ features a career-defining performance from John Boyega
Over the past few weeks, Steve McQueen has once again taken the world of filmmaking by storm. Coming into the festival season with an impressive... Read More
NYFF Review: ‘The Woman Who Ran’ cannot escape being defined by men
“Seeing cows makes me so sad,” Gam-hee declares as she pokes at a plate of beef in her friend Young-soon’s apartment. She can handle the... Read More
NYFF Review: Passion and performance shine in Chaitanya Tamhane’s ‘The Disciple’
Children think anything and everything is possible. Kids possess the ability to picture a future in which they are astronauts, professional athletes, presidents, rockstars, and... Read More
NYFF Review: Jia Zhangke takes an unfocused look at Chinese history and literature with ‘Swimming Out Till the Sea Turns Blue’
Jia Zhangke’s firmly established himself as one of China’s most exciting, innovative filmmakers, whether it’s in fiction (as 2018’s meditative Ash is Purest White can... Read More
NYFF Review: A humble pig gets her time in the spotlight in gripping nature doc ‘Gunda’
Victor Kossokofsky loves to prod at the boundaries of what he can do with documentary cinema — 2018’s Aquarela, for instance, asked its audience to... Read More
NYFF Review: ‘MLK/FBI’ charts the complexities of a great man and the government agency that worked tirelessly to take him down
“When you construct someone as a great man, there’s almost nothing more satisfying than revealing the opposite.” This sentence, uttered early by historian Beverly Gage... Read More
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists 
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards 
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award 
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10