Despite Oppenheimer‘s eyebrow-raising loss in sound at BAFTA to The Zone of Interest, the team of Willie Burton, Richard King, Gary A. Rizzo and Kevin... Read More
sound mixing
In this, the first years since combining the sound categories (mixing and editing) back into one, we find ourselves with a pretty safe frontrunner in... Read More
Sound of Metal, Greyhound and News of the World have shown their strength with both sound guilds – Cinema Audio Society and Motion Picture Sound... Read More
Yesterday, the Academy revealed that it’s taking swift, if temporary, action as a result of the COVID-19 crisis and pandemic that has put the world... Read More
1917 or Ford v Ferrari? 1917 and Ford v Ferrari? The Sound categories, editing and mixing, could go a few ways. 1917 will take both,... Read More
With the nominations from the two sound guilds in: Cinema Audio Society (CAS – Sound Mixing) and Motion Picture Sound Editors (MPSE) we have a... Read More
In Original Score, both Hildur Guðnadóttir (Joker) and Marco Beltrami (Ford v Ferrari) won the HMMA (Hollywood Music in Media Award) for their scores and... Read More
War movies and space travel. Those two genres so often dominate the sound categories and this year is no different. Universal’s WWI epic 1917 and... Read More
Vroom vroom, bitches. Race cars, space wars and world wars make up the bulk of the top contenders for Sound Editing and Sound Mixing this... Read More
A few months ago we all could have easily called Sound Mixing for A Star Is Born and called it a day. But that was... Read More