‘The Astronaut’ Review: In This Space, No One Cares If You Scream | SXSW
A familiar premise isn’t always a bad thing when it comes to horror and science fiction, so long as it’s presented through a new point... Read More
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SXSW 2025 Reviews: ‘Fantasy Life,’ ‘Slanted,’ ‘Uvalde Mom’
For the third dispatch from the 2025 SXSW Film Festival, we take a look at three films centered around female-led stories, two films in the... Read More
SXSW 2025 Reviews: ‘The Dutchman,’ ‘$POSITIONS,’ ‘We Bury the Dead’
Sometimes you go to a festival and they aren’t all winners. Over the last couple of years, I’ve gone to film festivals and seen some... Read More
‘My Uncle Jens’ Review: Brwa Vahabpour’s Feature Debut is an Effective Telling of a Complicated Family, Assimilation and Immigration (B+) | SXSW
It goes without saying that family is complicated. We all have at least one family member who causes us the utmost stress yet we choose... Read More
SXSW 2025 Reviews: ‘The Threesome,’ ‘Forge,’ ‘The Rivals of Amziah King’
A complicated romantic dramedy, a cat and mouse thriller involving art forgery, and a slice of life epic from the South make up the titles... Read More
‘Friendship’ Review: Tim Robinson Goes Off the Rails in this Hilarious, Bizarre Platonic Breakup Comedy [B+] | SXSW
It’s all too easy to say that Friendship, the debut film from writer-director Andrew DeYoung starring Tim Robinson, plays like a feature-length version of I... Read More
‘Glorious Summer’ Review: Helena Ganjalyan and Bartosz Szpak Create a Gilded Cage of False Freedom in Richly Lanthimosian Odyssey [B+] | SXSW
Glorious Summer is a well-lensed, intriguing odyssey into a sun-drenched hellscape. In its own way, it shows that much as life away from the commonplace... Read More
‘Clown in a Cornfield’ Review: Scream Queens and a Killer Joker Slash Their Way Through Clever Horror Throwback [B] | SXSW
The horror genre is arguably the most forgiving genre when it comes to reinventing the chainsaw, as in you really don’t have to do much... Read More
‘Joy Ride’ review: Adele Lim’s hilariously raunchy and sex-positive Asian diaspora comedy pushes buttons and boundaries | SXSW
Joy Ride begins with relaxing music and shots of white people enjoying the outdoors at a town called White Hills. We then quickly find a... Read More
‘Wild Life’ review: Elizabeth Chai Vasarhelyi and Jimmy Chin explore love and conservationism in effective climate change doc | SXSW
People have been sounding the alarm for years on climate change, and it’s often hard to figure out what to do to help prevent or... Read More
2025 Cannes: Critics’ Week Lineup Includes Sean Baker-Written Feature and a Dialogue-Free, Post-Apocalyptic Animated Film 
Teaser for Ari Aster’s Cannes-Bound COVID Era ‘Eddington’ Looks at the Crumbling U.S. Political Landscape of 2020 
‘The Last of Us’ Season 2 Review: Love in the Time of Cordyceps [A-] 
European Film Awards (EFA) Move to January 2026 in the Heart of Awards Season