[divider style=”normal” top=”20″ bottom=”20″] Gaya Jiji’s directorial debut MY FAVORITE FABRIC is an undercooked, lacking melodrama that takes points for being one of the rare... Read More
syria
[divider style=”normal” top=”20″ bottom=”20″] With just 10 days to go until the 71st edition of the Cannes Film Festival, it’s time to look at the... Read More
At a time where hope seemed lost in many of Syria’s shattered cities, a group of aid workers wearing white helmets emerged from the shadows... Read More
[divider style=”solid” top=”20″ bottom=”20″] When President Trump’s unlawful travel ban was enacted last month there was a tremendous amount of uncertainty whether some nominees and... Read More

Cannes Review: Gaya Jiji’s glacially paced tale of sexual repression ‘My Favorite Fabric’
2019 Oscars: From Spain’s ‘Everybody Knows’ to South Korea’s ‘Burning’ – 16 Foreign Language Films to Keep an Eye on at Cannes
Interview: Feras Fayyad on how his Oscar-shortlisted LAST MEN IN ALEPPO is an Urgent Cry for Humanity
Syrian Refugee Hala Kamil (Watani: My Homeland) Confirmed to Attend The Oscars
6th Set Decorators Society of America (SDSA) Awards: ‘Frankenstein,’ ‘Hamnet,’ ‘One Battle After Another’ Take Top Honors
76th Berlin Film Festival Awards: ‘Yellow Letters’ Wins Golden Bear for Best Film; ‘Queen at Sea’ Nabs Two Among Festival Unrest Over Politics
‘Flies (Moscas)’ Review: To Be a Fly on the Wall is to See All in Fernando Eimbcke’s Quiet Family Drama [B-] Berlinale
‘The Blood Countess’ Review: Isabelle Huppert’s Glamorous Vampire Mother Rises Above Baroque Bungle [C-] Berlinale