2020 Oscar Nomination Predictions: ORIGINAL SCREENPLAY (September)
A much more competitive category than adapted, Original Screenplay this month sees some moves up, a big fall, a ‘new’ entry and what’s starting to... Read More
the farewell
Oscar Podcast #75: Post-TIFF 19 discussion and the awards forecast with Mina Takla
It’s crazy but this is our first Oscar podcast of the 2019/2020 awards season! With Berlin, Cannes, Venice, Telluride and Toronto behind us the Oscar... Read More
2020 Oscar Nomination Predictions: ORIGINAL SCORE and ORIGINAL SONG (September)
The top three in Original Score remains the same this month, with two Oscar winners (John Williams and Alexandre Desplat) and now the most-nominated living... Read More
Oscar Predictions: Post-Telluride, mid-Venice, pre-TIFF set your sights on Renée Zellweger, Adam Driver and ‘Parasite’
With Telluride just finishing, Venice still underway, and Toronto starting tomorrow, we are smack in the middle of the fall festival kickoff of awards season... Read More
2020 Oscar Nomination Predictions: BEST PICTURE (August)
Unlike most categories this month, Best Picture sees movement from every single film in the top 10 for August, not the least of which is... Read More
2020 Oscar Nomination Predictions: BEST DIRECTOR (August)
There’s a bit of déjà vu happening in Best Director right now. Go back with me, if you will, all the way back to the... Read More
2020 Oscar Nomination Predictions: BEST ACTRESS (August)
Things are starting to pick up in Best Actress but I’m still not budging on Cynthia Erivo completing her EGOT with Focus Features’ Harriet. The... Read More
2020 Oscar Nomination Predictions: ORIGINAL SCREENPLAY (August)
With the confirmation that Amazon’s The Aeronauts is an adapted screenplay, that opens up a spot in this month’s chart, in the top five, no... Read More
2020 Oscar Nomination Predictions: FILM EDITING and CINEMATOGRAPHY (August)
The below the line categories of Film Editing and Cinematography are getting their first predictions of the season and we know how integral film editing... Read More
Interview: Matthew Friedman on the delicate balancing act of cutting ‘The Farewell’
Matthew Friedman’s story is like many Hollywood stories; he wasn’t from Los Angeles, he grew up in the south, rural east Tennessee, to be exact.... Read More
2025 Oscar Predictions: MAKEUP & HAIRSTYLING, ORIGINAL SCORE, ORIGINAL SONG, SOUND, VISUAL EFFECTS (December) 
Interview: Director Robert Eggers (‘Nosferatu’) on the Consequences of Temptation, Training Hundreds of Rats, and Playing with Vampire Lore 
Interview: Guy Pearce on the Beauty and Violence of ‘The Brutalist’ and Van Buren’s Call to His Therapist 
2024 Dallas-Fort Worth Film Critics Association (DFWFCA) Winners: ‘Anora’ Top Film, Director, Actress