In her impressive directorial debut Woman of the Hour, actress-turned-director Anna Kendrick builds on a horrifying true crime case to deliver an unflinching look at... Read More
tiff23
One of the smartest, most satisfying films at the Toronto International Film Festival this year, Ilker Çatak’s The Teachers’ Lounge uses a German school as... Read More
Egyptian-Austrian filmmaker Abu Bakr Shawky made quite the splash in 2018 with his debut feature film Yomeddine which became the first ever Egyptian debut film... Read More
The job of a critic is to provide recommendations for the general public based on a presumed strong understanding of art forms. In the present... Read More
Religious missionaries don’t have the best track record when it comes to encountering new communities that aren’t necessarily interested in getting to know their faith.... Read More
A hitman with dementia trying to carry out one last job is the kind of premise that could easily go off the rails and devolve... Read More
Conventional but still enjoyable, Taika Waititi’s Next Goal Wins presents the real story of the American Samoa football team, who had broken the record for... Read More
In Pain Hustlers, David Yates embarks on a different kind of project that couldn’t be further away from his recent franchise output (most notably 7... Read More
Chris Pine loves noir films. Mostly Chinatown, but really just noir films in general. This much is clear from his directorial debut Poolman, in which... Read More
Palestinian British filmmaker Farah Nabulsi’s previous short film, The Present, catapulted her to worldwide acclaim with its heartfelt story about parental love and sacrifice. Now... Read More

‘Woman of the Hour’ Review: Anna Kendrick’s Directorial Debut Intelligently Examines the Convergence of Toxic Masculinity and Gender Prejudice | Toronto
‘The Teachers’ Lounge’ Review: Ilker Çatak’s Oscar Entry from Germany is a Brilliant and Powerful Reflection on Flawed Democracies | Toronto
‘Hajjan’ Review: Abu Bakr Shawky’s Follow-Up to ‘Yomeddine’ a Mostly Enjoyable Crowd Pleaser That Rings a Bit Hollow | Toronto
‘The Critic’ Review: Ian McKellen and Gemma Arterton Astound in a Period Portrait of a Cheeky Connoisseur | Toronto
‘The Convert’ Review: A Compelling Historical Look at 19th Century British Colonialism of the Māori | Toronto
‘Knox Goes Away’ Review: Michael Keaton’s Dementia-Stricken Hitman Anchors a Focused Character Study | Toronto
‘Next Goal Wins’ Review: Michael Fassbender is Pitch Perfect in Taika Waititi’s Enjoyable Underdog Sports Story | Toronto
‘Pain Hustlers’ Review: David Yates Delivers a Conventionally Accessible Look at Corporate Greed | Toronto
‘Poolman’ Review: Chris Pine Skims the L.A. Underbelly in Homage to Classic Noir | Toronto
‘The Teacher’ Review: Farah Nabulsi’s Feature Debut is a Mildly Satisfying, if Narratively Muddled, Take on Repressed Anger | Toronto
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10