‘Woman of the Hour’ Review: Anna Kendrick’s Directorial Debut Intelligently Examines the Convergence of Toxic Masculinity and Gender Prejudice | Toronto
In her impressive directorial debut Woman of the Hour, actress-turned-director Anna Kendrick builds on a horrifying true crime case to deliver an unflinching look at... Read More
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‘The Teachers’ Lounge’ Review: Ilker Çatak’s Oscar Entry from Germany is a Brilliant and Powerful Reflection on Flawed Democracies | Toronto
One of the smartest, most satisfying films at the Toronto International Film Festival this year, Ilker Çatak’s The Teachers’ Lounge uses a German school as... Read More
‘Hajjan’ Review: Abu Bakr Shawky’s Follow-Up to ‘Yomeddine’ a Mostly Enjoyable Crowd Pleaser That Rings a Bit Hollow | Toronto
Egyptian-Austrian filmmaker Abu Bakr Shawky made quite the splash in 2018 with his debut feature film Yomeddine which became the first ever Egyptian debut film... Read More
‘The Critic’ Review: Ian McKellen and Gemma Arterton Astound in a Period Portrait of a Cheeky Connoisseur | Toronto
The job of a critic is to provide recommendations for the general public based on a presumed strong understanding of art forms. In the present... Read More
‘The Convert’ Review: A Compelling Historical Look at 19th Century British Colonialism of the Māori | Toronto
Religious missionaries don’t have the best track record when it comes to encountering new communities that aren’t necessarily interested in getting to know their faith.... Read More
‘Knox Goes Away’ Review: Michael Keaton’s Dementia-Stricken Hitman Anchors a Focused Character Study | Toronto
A hitman with dementia trying to carry out one last job is the kind of premise that could easily go off the rails and devolve... Read More
‘Next Goal Wins’ Review: Michael Fassbender is Pitch Perfect in Taika Waititi’s Enjoyable Underdog Sports Story | Toronto
Conventional but still enjoyable, Taika Waititi’s Next Goal Wins presents the real story of the American Samoa football team, who had broken the record for... Read More
‘Pain Hustlers’ Review: David Yates Delivers a Conventionally Accessible Look at Corporate Greed | Toronto
In Pain Hustlers, David Yates embarks on a different kind of project that couldn’t be further away from his recent franchise output (most notably 7... Read More
‘Poolman’ Review: Chris Pine Skims the L.A. Underbelly in Homage to Classic Noir | Toronto
Chris Pine loves noir films. Mostly Chinatown, but really just noir films in general. This much is clear from his directorial debut Poolman, in which... Read More
‘The Teacher’ Review: Farah Nabulsi’s Feature Debut is a Mildly Satisfying, if Narratively Muddled, Take on Repressed Anger | Toronto
Palestinian British filmmaker Farah Nabulsi’s previous short film, The Present, catapulted her to worldwide acclaim with its heartfelt story about parental love and sacrifice. Now... Read More
‘Emilia Pérez’ Review: Zoe Saldaña, Selena Gomez and Karla Sofía Gascón are Sensational in Delightfully Unhinged Jacques Audiard Musical | Cannes 
‘The Balconettes’ Review: Noémie Merlant Lets Loose in Topical, Genre-bending Romp | Cannes 
‘Oh Canada’ Review: Proxy Richard Gere is Superb as Paul Schrader Points the Camera at Himself | Cannes 
‘Armand’ Review: Renate Reinsve is Electric as a Woman on the Verge in Halfdan Ullman Tøndel’s Enigmatic Debut | Cannes
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