Venice Review: Ana Lily Amirpour’s ‘Mona Lisa and the Blood Moon’ is a vibrantly stylish, yet uneven ride [Grade C+]
Ana Lily Amirpour’s latest film, after a five-year absence due to her venturing into the world of TV, will take audiences on a stylish, hipster... Read More
venice review
Venice Review: Tim Roth and Charlotte Gainsbourg seethe in the Mexican heat of Michel Franco’s ‘Sundown’ [Grade: B]
Michel Franco returns to the Lido just one year after his New Order won the Silver Lion Grand Jury Prize, premiering his latest which also... Read More
Venice review: ‘True Things’ cements Harry Wootliff as the master of new British drama [Grade: A-]
Three years after premiering her BAFTA-nominated debut feature, Only You, British filmmaker Harry Wootliff returns to the festival circuit with True Things, a mature and... Read More
Venice review: Isabelle Huppert rivets in this razor-sharp political drama, ‘Promises (Les promesses)’ [Grade B+]
Isabelle Huppert battles to keep her place in the mayoral office in Thomas Kruithof’s Les Promesses, also known by its English title Promises. It’s a... Read More
Venice Review: With ‘The Lost Daughter,’ Maggie Gyllenhaal exposes mother-daughter relations in their vile, discomforting essence [Grade: B]
Leda, a middle-aged comp-lit professor, arrives at a lavish Greek island accompanied solely by her books. Played by an overwrought Olivia Colman, she frets and... Read More
Venice review: Denis Villeneuve’s ‘Dune’ is a gripping and visually arresting opener to an exciting universe [Grade: A]
The two most important lines in Dune come at the very beginning and the very end. First, when Duke Leto (Oscar Isaac) tells princeling son... Read More
Venice review: Kristen Stewart delivers a career-best performance in a fitting and fantastic look at an accidental revolutionary in ‘Spencer’ [Grade: A]
A spiky icon and a gentle iconoclast, Diana Spencer occupies a place in the public consciousness of Britain and the rest of the world which... Read More
Venice review: The road to redemption is a long and rocky one in Paul Schrader’s ‘The Card Counter’ [Grade: A]
“If not for the money, why play?” – “It passes the time,” says professional gambler William Tell (Oscar Isaac) when prompted to justify his string... Read More
Venice Review: Vanessa Kirby gives a career-best performance in grief-laden ‘Pieces of a Woman’
The entire heart-rending story of Kornél Mundruczó’s newest feature, Pieces of a Woman, can be deciphered in Martha (Vanessa Kirby)’s fingers – their gestures and... Read More
Venice Review: Regina King’s glorious ‘One Night in Miami’ is a vital and indispensable directorial debut
The feature-film directorial debut of Emmy and Academy Award-winning actress Regina King will leave a significant mark in the history of the Venice Film Festival,... Read More
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’ 
2026 Sundance Film Festival: ‘Josephine’ Wins Grand Jury Prize and Audience Award 
Director Watch Podcast Ep. 137 – ‘Je Tu Il Elle’ (Chantal Akerman, 1974) 
Midnight Critics Circle (MCC) Awards: ‘Marty Supreme’ Wins Best Picture