2018 Oscar Predictions: ORIGINAL SCREENPLAY – Four Contenders and the Best Picture Connection

Erik Anderson February 1, 2018

There probably isn’t a tougher category than Original Screenplay, as our divisive rankings show. The top four contenders aren’t just all possibilities here, they’re also all legitimate contenders for Best Picture and looking at the recent trend of Best Picture winners, it’s a screenplay win that is its closest ally.

This is an extraordinarily loaded category in that there are so many ways it could go. In one corner we have the overwhelming critics’ favorite Get Out, which managed to win lots of those awards even when the film didn’t. It has 26 wins; 16 in Original Screenplay, 10 from groups that only designated one Screenplay award. But then it was snubbed at the Golden Globes (and also in Director). It landed a BAFTA Original Screenplay nomination but was snubbed in Film and Director. Come Oscar nomination morning it earned just four; not a strong Best Picture possibility. But it’s a socially relevant and zeitgeist of a script that voters glom on to.

Lady Bird has a similar trajectory with some critics’ wins for its screenplay but it actually got in at the Globes. It didn’t win but it did win Best Motion Picture – Comedy or Musical and Best Actress – Comedy or Musical. It suffered the same fate as Get Out at BAFTA though – getting in Original Screenplay but shut out of Film and Director. It’s gone home empty-handed since, winning nothing at Critics’ Choice or the Screen Actors Guild. It has five Oscar nominations and would need to pull out a big surprise here (which it could). With a year so heavily focused on women, that could be the tipping point for Greta Gerwig and her coming of age story.

Three Billboards Outside Ebbing, Missouri has earned a small handful of screenplay awards from critics, but in the age of its backlash and controversy, it’s the screenplay that’s the most problematic. The Academy has rewarded scripts filled with racist, homophobic and misogynistic dialogue played for laughs before (Quentin Tarantino has two) but are we in a new era? I think we are, and the Directing snub for Martin McDonagh is rather telling.

The Shape of Water won PGA and is the heavy favorite for DGA and is our (and many pundits’) Best Picture and Best Director frontrunner, yet it sits in fourth place. How can that be if screenplay is the practically a must for a Best Picture triumph? The Shape of Water has only one critics’ award for its screenplay and writer/director Guillermo del Toro has been faced with two claims of his story being too similar to some pre-existing material, including one outright accusation of plagiarism of his story. Like Three Billboards, this is information coming out after nominations but before Oscar winner voting and depending on how serious people take these controversies could tip the balance significantly.

I feel bad for The Big Sick. It’s the film only nomination (despite also hitting PGA and SAG) and it’s got no shot here. But, at least it’s nominated and deserved it.

The key could be the Writers Guild of America. Despite their myopic eligibility rules (that precluded Three Billboards from being nominated there), the winner there might give us the best piece of the puzzle.

Let’s take a look at WGA Original Screenplay winners since the Best Picture expansion; what they won leading up to that win and how it impacted the Oscars.

2016: Moonlight – won Drama Golden Globe, LAFCA and NSFC Film (won Adapted Screenplay Oscar and Best Picture)
2015: Spotlight – won SAG, LAFCA Film and Screenplay, NSFC Film and Screenplay (won Original Screenplay Oscar and Best Picture)
2014: The Grand Budapest Hotel – won Comedy Golden Globe, BAFTA Screenplay, LAFCA, NYFCC, NSFC Screenplay (Birdman was not eligible but won Original Screenplay Oscar and Best Picture)
2013: Her – won Golden Globe Screenplay, LAFCA Film, NBR Film and Director (won Original Screenplay Oscar)
2012: Zero Dark Thirty – won NBR Film and Director, NYFCC Film and Director (Django Unchained was not eligible but won Original Screenplay Oscar)
2011: Midnight in Paris – won Golden Globe Screenplay (won Original Screenplay Oscar)
2010: Inception – the real anomaly here; WGA was its only screenplay win of any kind, besting fellow WGA and Oscar nominees The Fighter and The Kids Are All Right, the latter of which was the NYFCC screenplay winner and Golden Globe Motion Picture winner, Comedy or Musical. (The King’s Speech was WGA-ineligible but won the Original Screenplay Oscar among its haul with Best Picture)
2009: The Hurt Locker – won BAFTA Film, Director, Original Screenplay, DGA, PGA, LAFCA Film and Director, NSFC Film and Director, NYFCC Film and Director (won Original Screenplay Oscar and Best Picture)

A couple of things stand out here for me. The Grand Budapest Hotel completely dominated the screenplay wins right up to the Oscars before Birdman snatched it away, just as it pulled a Best Picture win out of Boyhood‘s hands. That still stands as one of the great examples of the Academy completely acting out on its own. But, Birdman won SAG, PGA and DGA so it wasn’t so much a surprise, just that the guilds told a different story than what preceded it, much like The King’s Speech in 2010.

Zero Dark Thirty suffered a major controversy that, while it earned an Original Screenplay nomination, found itself snubbed in Best Director. Just like Three Billboards.

That Inception win at WGA still makes no sense. But, with The King’s Speech not eligible there who knows how that would have turned out. It likely would have won.

Here are the Original Screenplay winner predictions from the Gold Rush Gang for Thursday, February 1, 2018.

ORIGINAL SCREENPLAY		ERIK ANDERSON	BRYAN BONAFEDE	GREG HOWARD	EVAN KOST	JASON OSIASON	KENNETH POLISHCHUK	DENIZCAN SÜRÜCÜ	RICHARD ANTHONY	ŞÜKRÜ SÖĞÜT	MATT DINN	TOTAL POINTS

1	Get Out	1	2	3	1	1	1	1	2	2	2	94
2	Lady Bird	2	1	2	2	2	3	2	3	3	1	89
3	Three Billboards outside Ebbing, Missouri	4	3	1	3	3	2	3	1	1	3	86
4	The Shape of Water	3	4	4	4	4	4	4	4	4	4	71
5	The Big Sick	5	5	5	5	5	5	5	5	5	5	60

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.