2018 Oscar Predictions: PRODUCTION DESIGN and COSTUME DESIGN (December Part 1)

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Blade Runner 2049 and Phantom Thread lead the Production Design and Costume Design predictions, respectively, once again and with a stranglehold on those #1 spots.

Dunkirk and Darkest Hour swap places and Downsizing is the month’s sole debut in Production Design. Costume Design has even less change, with Wonder Woman inching up and Murder on the Orient Express inching down.

2018 Oscar Predictions (December Part 1): BEST PICTURE | BEST DIRECTOR BEST ACTOR BEST ACTRESS SUPPORTING ACTOR SUPPORTING ACTRESS THE SCREENPLAYS ANIMATED FEATURE FOREIGN LANGUAGE FILM | FILM EDITING and CINEMATOGRAPHY

Here are the official 2018 Oscar Predictions in Production Design and Costume Design for first half of December from the Gold Rush Gang. Keep an eye on all of the Gold Rush Gang’s 2018 Oscar predictions updated LIVE throughout the month.

Green – moves up from last month
Red – moves down from last month
Blue – debut/new entry

PRODUCTION DESIGN ERIK
ANDERSON
BRYAN BONAFEDE GREG HOWARD EVAN
KOST
JASON OSIASON KENNETH
POLISHCHUK
DENIZCAN SÜRÜCÜ RICHARD
ANTHONY
ŞÜKRÜ SÖĞÜT MATT DINN TOTAL
POINTS
1 Blade Runner 2049 1 1 1 1 1 1 1 1 1 2 99
2 The Shape of Water 2 2 3 2 2 2 2 2 2 1 90
3 Dunkirk 3 3 4 3 3 3 3 5 4 3 76
4 Darkest Hour 4 4 2 4 4 4 4 3 3 4 74
5 Phantom Thread 5 5 5 7 6 6 5 7 5 5 54
6 The Greatest Showman 6 9 7 8 7 10 9 4 6 6 38
7 Beauty and the Beast (2017) 10 7 6 5 5 7 7 8 10 8 37
8 The Post 7 8 6 8 5 6 6 8 10 35
9 Star Wars: The Last Jedi 6 10 10 10 8 8 10 9 9 19
10 Wonderstruck 9 9 9 10 9 7 7 17
11 The Beguiled 8 3
11 Victoria and Abdul 8 3
13 Wonder Wheel 9 2
13 Downsizing 9 2
15 Call Me By Your Name 10 1

OTHER CONTENDERS
All the Money in the World
Hostiles
The Lost City of Z
Marshall
Mudbound
Murder on the Orient Express (2017)
Wonder Woman

COSTUME DESIGN ERIK
ANDERSON
BRYAN BONAFEDE GREG HOWARD EVAN
KOST
JASON OSIASON KENNETH
POLISHCHUK
DENIZCAN SÜRÜCÜ RICHARD
ANTHONY
ŞÜKRÜ SÖĞÜT MATT DINN TOTAL
POINTS
1 Phantom Thread 1 1 1 1 1 1 1 1 1 1 100
2 Darkest Hour 2 4 2 2 2 4 2 2 2 2 86
3 Beauty and the Beast (2017) 5 2 4 3 3 2 3 3 3 3 79
4 Victoria and Abdul 4 3 5 4 4 3 4 6 4 4 69
5 The Shape of Water 3 8 3 5 10 5 5 4 5 6 56
6 Blade Runner 2049 8 7 8 7 7 6 6 9 6 5 41
7 The Greatest Showman 7 6 6 8 5 9 9 5 8 7 40
8 Wonderstruck 6 9 9 6 7 8 7 7 8 32
9 The Post 10 10 10 8 10 7 10 10 9 15
9 Wonder Woman 5 6 8 10 15
11 Murder on the Orient Express (2017) 9 7 9 9 10
12 Dunkirk 10 8 10 5
13 The Beguiled 9 2

OTHER CONTENDERS
All the Money in the World
Hostiles
I, Tonya
The Lost City of Z
Mudbound
Star Wars: The Last Jedi
Wonder Wheel

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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