For the 11th incarnation of their awards, the iconoclasts of the International Cinephile Society actually picked quite a few films that did well with other... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
When the Television Academy announced in 2011 that they were going to merge the Made for TV Movie and Miniseries categories, it had many of... Read More
AwardsWatch’s own awards extravaganza, the INOCAs, announced nominations for our 2013 awards with 12 Years a Slave leading the pack with 12 nominations. Gravity and... Read More
Captain Phillips and Gravity shared the two major awards from the Motion Picture Sound Editors last night, with the former taking Dialogue and ADR and... Read More
It’s another awards show, which means 12 Years a Slave won the top prize but still managed to stumble, hard. After losing category after category... Read More
As we enter the final stretch of the Oscar race we come to the BAFTAs (British Academy of Film and Television Arts), the last stop... Read More
Adding one more lock to its inevitable Oscar win, Gravity dominated the Visual Effects Society’s (VES) awards, winning six of its seven nominations, including the... Read More
In this podcast, Erik and Peter discuss their BAFTA predictions plus mull over the recent surge by Captain Phillips in some very important precursors. Oh,... Read More
Two more prizes were announced today. Beginning with the Art Directors Guild, they chose winners in three different categories (much like ACE did yesterday). The... Read More
The EGOT. The wholly quartet of artistic awards achievement for television, music, film and stage. Less than a dozen people have earned competitive awards with... Read More