‘Great Freedom’ review: Franz Rogowski is transformative in this sombre period prison drama [Grade: A-] (London Film Festival)
Take it from someone who has lived here for all of his twenty-five years: Englanders, for the most part, are so blinded by exceptionalism as... Read More
Jack King
Jack is British film journalist, exhibitor and screenwriter. He currently resides in South East London but spends at least an hour per day wishing he was in the Italian Riviera - and no, not just because he watched Call Me By Your Name twenty-six times, thank you very much. He has attended all of the major festivals other than Venice but he's hoping to knock that off later this year. He sees himself much like his film taste: unashamedly queer and far tackier than he'd like to admit. When not writing the next great indie flick, or sat in a barely-lit art house auditorium, he can typically be found in a gay bar ranting about Ronald Reagan.
‘The Tender Bar’ review: Ben Affleck raises the bar in George Clooney’s largely inept newest directorial outing [Grade: D+] (London Film Festival)
When you’re at a festival populated by indie slow-burners, a maudlin, easy-to-watch soap opera can be a wonderful, soupy balm. Just before the pandemic sent... Read More
Interview: ‘Moffie’ director Oliver Hermanus on queer coding in war movies and examining state-embedded racism
To say the very least, South African filmmaker Oliver Hermanus has built up a robust filmography. His exceptional debut Shirley Adams was followed by 2011’s... Read More
TV Review: Russell T. Davies’ 80s Aids serial ‘It’s a Sin’ is a pleasure, but not a guilty one
Ah, It’s a Sin. A heady tribute as much as it is a wistful tragedy. Both a celebration of everything to come and a eulogy... Read More
Interview: John Magaro (‘First Cow’) on Evie, shooting in the Oregon wilderness and how the film exists in the world of queer cinema
Need it be reiterated that this has been an incredible drudge of a year? It feels as though a kind of Interstellar-esque time dilation has... Read More
LFF Review: Colin Firth and Stanley Tucci give career-best turns in a champagne ‘Supernova’ in the sky
The most delicate moments of Supernova, the sublime sophomore feature from British director Harry Macqueen, don’t actually happen on screen; they’re seldom, even, explicitly textual.... Read More
Film Review: The new ‘The Boys in the Band’ is a strikingly familiar tune played by a great new band
Film Review: The new ‘The Boys in the Band’ is a strikingly familiar tune played by a great new band
A towering white birthday cake, with cute pink frosting piped around its edges, melts away in vociferous downpour. Only a small wound is carved into... Read More
Film Review: Tom Holland is far from home in ‘The Devil All the Time’
The Southern Gothic is as American as the second amendment. Flannery O’Connor’s “Wise Blood,” the tale of a cynical preacher searching for redemption in his... Read More
Frameline Review: ‘No Hard Feelings (Futur Drei)’
“The future is ours” says Banafshe, an Iranian woman in Germany on the verge of deportation, towards the end of No Hard Feelings (Futur Drei).... Read More
Frameline Review: ‘Killing Patient Zero’
Gaëtan Dugas was a handsome French-Canadian flight attendant who, like most gay men in the seventies, dove headfirst into the pleasure-as-politics ethos of the burgeoning... Read More
2024 North Carolina Film Critics Association (NCFCA) Nominations 
2024 Philadelphia Film Critics Circle (PFCC) Winners: ‘Anora’ Named Best Film Among its Six Awards 
2024 Utah Film Critics Association (UFCA) Nominations 
2024 Black Reel Awards Nominations: ‘Nickel Boys,’ ‘The Piano Lesson’ Lead