“The bird a nest, the spider a web, man friendship”: A famous proverb from the pen of Romanticist poet William Blake. His philosophical implication here,... Read More
Jack King
Jack is British film journalist, exhibitor and screenwriter. He currently resides in South East London but spends at least an hour per day wishing he was in the Italian Riviera - and no, not just because he watched Call Me By Your Name twenty-six times, thank you very much. He has attended all of the major festivals other than Venice but he's hoping to knock that off later this year. He sees himself much like his film taste: unashamedly queer and far tackier than he'd like to admit. When not writing the next great indie flick, or sat in a barely-lit art house auditorium, he can typically be found in a gay bar ranting about Ronald Reagan.
“We have the impression that the politicians don’t care. […] If you really want to make a revolution, you have to be in the streets... Read More
It’s not without its blemishes, but by combining breakthrough lead performances, accomplished cinematography, hilarious sight gags and pitch-perfect, farcical dialogue, Michael Angelo Covino’s re-invention of... Read More
Director Levan Akin confronts Georgia’s (former USSR/Eastern Europe) conservative, moralising, antiquated attitude towards sexual freedom, the masculine tradition and gay love with an aggressive fervour.... Read More
Ladj Ly’s supremely confident debut feature recalls the bitingly fierce critical voice of Victor Hugo’s classic novel, transplanting it into the estates and housing blocks... Read More
Much like the zombies and ghouls the heroes of The Dead Don’t Die contend with, Jim Jarmusch’s B-movie satire rises slowly, brings our attention to... Read More

Berlin Review: ‘First Cow,’ Kelly Reichardt returns to Oregon for a ruminative tale of the American Frontier
Interview: Cannes winner Ladj Ly, director of ‘Les Misérables’
Cannes Review: Michael Angelo Covino’s ‘The Climb’ is pitch-perfect buddy comedy
Cannes Review: ‘And Then We Danced’ is a brave, urgent and revolutionary statement
Cannes Review: ‘Les Miserables’ is a technical marvel and a breathtaking debut
Cannes Review: Jim Jarmusch’s ‘The Dead Don’t Die’
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10