Driver’s Ed is exactly what you would expect from a Bobby Farrelly teenage comedy — awkward, weird, unfunny, and shockingly tame despite all the swearing,... Read More
Kevin L. Lee
Kevin L. Lee is an Asian-American critic, producer, screenwriter and director based in New York City. A champion of the creative process, Kevin has consulted, written, and produced several short films from development to principal photography to festival premiere. He has over 10 years of marketing and writing experience in film criticism and journalism, ranging from blockbusters to foreign indie films, and has developed a reputation of being “an omnivore of cinema.” He recently finished his MFA in film producing at Columbia University and is currently working in film and TV development for production companies.
A familiar premise isn’t always a bad thing when it comes to horror and science fiction, so long as it’s presented through a new point... Read More
Composer, music producer, and filmmaker Flying Lotus openly expressed at the SXSW premiere of his new film Ash that the film is heavily inspired by... Read More
The horror genre is arguably the most forgiving genre when it comes to reinventing the chainsaw, as in you really don’t have to do much... Read More
What do you get when you mix fatherhood anxiety with male loneliness and a touch of aliens? The result is Descendent, a thoughtful piece of... Read More
It’s not every day when you run into a horror movie that can be described as “wholesome,” a “joy to watch,” or “a tearjerker.” For... Read More
It’s good to every once in a while just revel in a brutal action movie, where everyone knows what they’re here for. Films like The... Read More
Never underestimate the power of children’s books. It’s easy to dismiss them as something designed for a child at a stage where they’re learning how... Read More
It’s quite a risk to take an epic poem and only adapt the non-mythical parts into a film. After all, this isn’t the nth take... Read More
The first question I, like many other people, thought about Piece By Piece was “Why is it in LEGO?” It turns out, via the opening... Read More

‘Driver’s Ed’ Review: Bobby Farrelly’s Middle of the Roadtrip Teen Comedy is Stuck in Neutral [C] TIFF
‘The Astronaut’ Review: In This Space, No One Cares If You Scream | SXSW
‘Ash’ Review: In Her First Lead Role, Eiza González Channels Her Inner Ripley in Video Game Style Psychedelic Headtrip [B-] | SXSW
‘Clown in a Cornfield’ Review: Scream Queens and a Killer Joker Slash Their Way Through Clever Horror Throwback [B] | SXSW
‘Descendent’ Review: A Moving and Reflective Tale of Fatherhood, Male Loneliness, and Aliens [B+] | SXSW
Interview: ‘Dead Talents Society’ (鬼才之道) Writer/Director John Hsu and Actress Gingle Wang Talk About the Award-Winning International Horror Hit
‘The Shadow Strays’ Review: Too Self-Indulgent by Half, Timo Tjahjanto’s Bloodlust Hits Epic Levels | TIFF
‘The Wild Robot’ Review: An Animated Triumph Destined to Become a Classic with an All-Time Voice Performance from Lupita Nyong’o | TIFF
‘The Return’ Review: Uberto Pasolini Beautifully Reinterprets “The Odyssey” with the Reunion of Juliette Binoche and a Ripped Ralph Fiennes | TIFF
‘Piece by Piece’ Review: Pharrell Williams and an All-Star LEGO Lineup Tells a Life Story Too Neatly Clicked in Place | TIFF
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10