‘Rental Family’ Review: Brendan Fraser is a Conduit for Loneliness in Hikari’s Found in Translation [B+] TIFF
Of the many fascinating aspects of Japan as a nation and culture, one particular feature that stands out is its remarkable subculture of bizarre rental... Read More
Kevin L. Lee
Kevin L. Lee is an Asian-American critic, producer, screenwriter and director based in New York City. A champion of the creative process, Kevin has consulted, written, and produced several short films from development to principal photography to festival premiere. He has over 10 years of marketing and writing experience in film criticism and journalism, ranging from blockbusters to foreign indie films, and has developed a reputation of being “an omnivore of cinema.” He recently finished his MFA in film producing at Columbia University and is currently working in film and TV development for production companies.
‘Left-Handed Girl’ (左撇子女孩) Review: Shih-Ching Tsou’s Solo Debut is a Vibrant Mother-Daughter Miracle [A-] TIFF
Minutes into Shih-Ching Tsou’s solo debut Left-Handed Girl, I knew I was in good hands. Watching our three female leads sitting at a small cramped... Read More
‘The Ugly’ (얼굴) Review: In Yeon Sang-ho’s Dark Mystery, It’s the Soul That Needs the Surgery [B+] TIFF
Train to Busan’s Yeon Sang-ho returns to the low budget mystery thriller genre by adapting his debut graphic novel (Face) into a feature film. The... Read More
‘Exit 8’ Review: The Viral Indie Horror Game Stuns on the Big Screen [B+] TIFF
It’s always a fun and exciting exercise to see how a videogame gets adapted or reinterpreted on the big screen. Such is the case with... Read More
‘Driver’s Ed’ Review: Bobby Farrelly’s Middle of the Roadtrip Teen Comedy is Stuck in Neutral [C] TIFF
Driver’s Ed is exactly what you would expect from a Bobby Farrelly teenage comedy — awkward, weird, unfunny, and shockingly tame despite all the swearing,... Read More
‘The Astronaut’ Review: In This Space, No One Cares If You Scream | SXSW
A familiar premise isn’t always a bad thing when it comes to horror and science fiction, so long as it’s presented through a new point... Read More
‘Ash’ Review: In Her First Lead Role, Eiza González Channels Her Inner Ripley in Video Game Style Psychedelic Headtrip [B-] | SXSW
Composer, music producer, and filmmaker Flying Lotus openly expressed at the SXSW premiere of his new film Ash that the film is heavily inspired by... Read More
‘Clown in a Cornfield’ Review: Scream Queens and a Killer Joker Slash Their Way Through Clever Horror Throwback [B] | SXSW
The horror genre is arguably the most forgiving genre when it comes to reinventing the chainsaw, as in you really don’t have to do much... Read More
‘Descendent’ Review: A Moving and Reflective Tale of Fatherhood, Male Loneliness, and Aliens [B+] | SXSW
What do you get when you mix fatherhood anxiety with male loneliness and a touch of aliens? The result is Descendent, a thoughtful piece of... Read More
Interview: ‘Dead Talents Society’ (鬼才之道) Writer/Director John Hsu and Actress Gingle Wang Talk About the Award-Winning International Horror Hit
It’s not every day when you run into a horror movie that can be described as “wholesome,” a “joy to watch,” or “a tearjerker.” For... Read More
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’ 
2026 Sundance Film Festival: ‘Josephine’ Wins Grand Jury Prize and Audience Award 
Director Watch Podcast Ep. 137 – ‘Je Tu Il Elle’ (Chantal Akerman, 1974) 
Midnight Critics Circle (MCC) Awards: ‘Marty Supreme’ Wins Best Picture