Both the Internet and social media often serve as outlets for human connection. However, such platforms can simultaneously serve as a hellish dimension of questioned... Read More
Matt St. Clair
Matt is a New England-based freelance journalist who lives and breathes the world of cinema and has been an Oscar watcher since the age of eight. His writing can be found on outlets such as The Film Experience, Roger Ebert, Digital Spy, and Slashfilm. He is also a Rotten Tomatoes-approved critic and a Gay & Lesbian Entertainment Critics Association member. You can follow him on Twitter @filmguy619. (He/They)
After their extraordinary sophomore feature Wildhood, Bretten Hannem crafts another demonstration of being in touch with one’s own Indigenous heritage. One that is even more... Read More
After maintaining his scream king title recently thanks to projects like the Smile films and Strange Darling, Kyle Gallner makes a pivot to romantic anti-hero... Read More
People probably always say that a long-lasting love can feel like an eternal flame. Whether it’s with the person you’re currently with or a fling... Read More
Heroic groups are often brought together by a simple common goal to do good and save the world from evil. However, some are brought together... Read More
It’s safe to say that animated cinema has been very slow when it comes to LGBTQ+ representation. Thankfully, progress that’s been made in the past... Read More
It’s safe to say that moviegoers are experiencing major cases of Sinners fever. Between its immense critical acclaim and its bona fide success, making almost... Read More
It goes without saying that family is complicated. We all have at least one family member who causes us the utmost stress yet we choose... Read More
Glorious Summer is a well-lensed, intriguing odyssey into a sun-drenched hellscape. In its own way, it shows that much as life away from the commonplace... Read More
Valentine’s Day. A prime time for flowers, chocolates, raising single awareness, and, above all, rom-coms. Putting on a film like When Harry Met Sally.. or... Read More

Make It a Double Feature: ‘Pulse (Kairo)’ and ‘Red Rooms’
‘Sk+te’kmujue’katik (At the Place of Ghosts)’ Review: A Narratively Ambitious Genre-Bending Tale of Familial Trauma [B] TIFF
‘Carolina Caroline’ Review: Kyle Gallner and Samara Weaving Rob and Throb in Old-School Crime Drama of Lovers on the Run [A-] TIFF
‘Erupjca’ Review: Everything is Pretty Romantic in this Kinetic Charli XCX Vehicle [B+] TIFF
Make it a Double Feature: ‘KPop Demon Hunters’ and ‘Thunderbolts*’
Make it a Double Feature: ‘The Mitchells vs. The Machines’ and ‘Nimona’
Make it a Double Feature: ‘Saloum’ and ‘Ganja & Hess’
‘My Uncle Jens’ Review: Brwa Vahabpour’s Feature Debut is an Effective Telling of a Complicated Family, Assimilation and Immigration (B+) | SXSW
‘Glorious Summer’ Review: Helena Ganjalyan and Bartosz Szpak Create a Gilded Cage of False Freedom in Richly Lanthimosian Odyssey [B+] | SXSW
Make it a Double Feature: ‘The Brood’ and ‘Possession’
Producers Guild Awards Nominations for Sports, Children’s and Short-Form Programs
Wim Wenders to Lead 76th Berlin International Film Festival Jury
2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY (December)
San Diego Film Critics Society (SDFCS) Nominations: ‘One Battle After Another,’ ‘Sinners’ Lead