Matt St. Clair takes a look at how everything from the pandemic to the preferential ballot have all but eliminated the chance of blockbuster films... Read More
Matt St. Clair
Matt is a New England-based freelance journalist who lives and breathes the world of cinema and has been an Oscar watcher since the age of eight. His writing can be found on outlets such as The Film Experience, Roger Ebert, Digital Spy, and Slashfilm. He is also a Rotten Tomatoes-approved critic and a Gay & Lesbian Entertainment Critics Association member. You can follow him on Twitter @filmguy619. (He/They)
Within his short filmography, rising Scottish actor Jack Lowden has shown immense acting range in films like Mary Queen of Scots, Kindred, and the overlooked... Read More
Just last year, Riz Ahmed wowed viewers with his stirring, Oscar-nominated portrayal of a drummer losing his hearing in Sound of Metal. His latest starring... Read More
Historically, in the eyes of AMPAS, the idea of even nominating a horror movie for Best Picture is scarier than watching one. When The Silence... Read More
Halloween is all about the tradition of trick-or-treating and costume parties. However, as we practice social distancing, there won’t be as much gathering for apple-bobbing... Read More
One word to describe Sally Hawkins’ talent is chameleonic. Even if she never undergoes a drastic physical transformation to become the characters she plays, she... Read More
The BBC/Hulu miniseries Normal People is an emotional gut punch about the difficulties of relationships and hiding our broken parts from those close to us.... Read More
There are plenty of reasons to get excited about the feature film adaptation of the Marvel comic Eternals this November from Disney. It’s got indie... Read More

Have we seen the end of the technical juggernaut winning Best Picture?
TIFF Review: A career-best Jack Lowden carries Terence Davies’ somber yet lyrical ‘Benediction’ [Grade: A]
TIFF Review: Riz Ahmed is once again a powerhouse in minimalist sci-fi pic ‘Encounter’ [Grade: A-]
Retrospective: 30 Years Later, ‘The Silence of the Lambs’ remains an Oscar anomaly in the horror genre
A Guide to a Perfect Halloween Marathon
Film Review: Sally Hawkins’ ‘Eternal Beauty’ isn’t just skin deep
Emmys: Why Paul Mescal and Daisy Edgar-Jones (‘Normal People’) should earn his-and-hers awards
The Hopeful Pragmatism for LGBTQ+ Visibility in Marvel’s ‘Eternals’
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes