The iconic Sarah Michelle Gellar is not only returning to TV screens, but is returning to the realm of monster-hunting with the Paramount+ series Wolf... Read More
Matt St. Clair
Matt is a New England-based freelance journalist who lives and breathes the world of cinema and has been an Oscar watcher since the age of eight. His writing can be found on outlets such as The Film Experience, Roger Ebert, Digital Spy, and Slashfilm. He is also a Rotten Tomatoes-approved critic and a Gay & Lesbian Entertainment Critics Association member. You can follow him on Twitter @filmguy619. (He/They)
According to the endless holiday tunes, Christmas is the most wonderful time of the year. The songs, the lights, and the gifts are enough to... Read More
This year, we’ve seen a handful of musical sensations dabble into the acting scene. Former One Direction frontman Harry Styles has appeared in both My... Read More
The new Hellraiser reboot is a textbook example on how to remake or reboot a classic. Keep the same scenario as the original while putting... Read More
Despite running at a brisk 67 minutes, Joao Pedro Rodrigues’ Will-o’-the-Wisp has a near-epic feel with its grand thematic scope. Within its short run time,... Read More
Dealing with toxic family members is undoubtedly messy. Although they may be connected by blood, if they’re finding ways to crush one’s happiness, the best... Read More
Historically, there has been one particular storyline prevalent in queer cinema: The coming-out narrative. Stories revolving around a queer protagonist’s journey of coming out of... Read More
As Goldie Hawn famously said in The First Wives Club, “There are three ages for women in Hollywood: Babe, District Attorney, and Driving Miss Daisy.”... Read More
This month, when the nominations for the 94th Academy Awards were announced, Ryusuke Hamaguchi’s Japanese arthouse film Drive My Car managed to crack the Best... Read More
As someone who grew up on the music of Alanis Morissette and Jagged Little Pill, it’s safe to say I felt the documentary Jagged by... Read More

From Adam to The Mayor to Glory, ranking of every Big Bad on ‘Buffy the Vampire Slayer’
From ‘The Lion in Winter’ to ‘Eyes Wide Shut,’ the Top 10 anti-Christmas movies to watch if you’re a holiday Grinch
From Jennifer Hudson to Dwight Yoakam to Björk, the Top 10 acting performances by musicians in the last quarter century
‘Hellraiser’ review: A chilling franchise reinvigoration with eerie visual flair that will have you on pins and needles [B]
‘Will-o’-the-Wisp’ review: A sensory queer musical with grand thematic scope [B+] | Toronto
‘Wildhood’ review: A profound and inclusive entry in the queer coming-of-age tale canon (A-)
From ‘The Birdcage’ to ‘Happy Together’ to ‘Tangerine,’ 10 LGBTQ+ stories that go beyond the coming out narrative
How recent Best Actress Oscar winners could be leading the way to Hollywood becoming more pro-aging towards women
10 recent Non-English language films that deserved a Best Picture nomination
‘Jagged’ review: Alanis Morissette doc is indeed “fine, fine, fine” [Grade: B+]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes