The new Hellraiser reboot is a textbook example on how to remake or reboot a classic. Keep the same scenario as the original while putting... Read More
Matt St. Clair
Matt is a New England-based freelance journalist who lives and breathes the world of cinema and has been an Oscar watcher since the age of eight. His writing can be found on outlets such as The Film Experience, Roger Ebert, Digital Spy, and Slashfilm. He is also a Rotten Tomatoes-approved critic and a Gay & Lesbian Entertainment Critics Association member. You can follow him on Twitter @filmguy619. (He/They)
Despite running at a brisk 67 minutes, Joao Pedro Rodrigues’ Will-o’-the-Wisp has a near-epic feel with its grand thematic scope. Within its short run time,... Read More
Dealing with toxic family members is undoubtedly messy. Although they may be connected by blood, if they’re finding ways to crush one’s happiness, the best... Read More
Historically, there has been one particular storyline prevalent in queer cinema: The coming-out narrative. Stories revolving around a queer protagonist’s journey of coming out of... Read More
As Goldie Hawn famously said in The First Wives Club, “There are three ages for women in Hollywood: Babe, District Attorney, and Driving Miss Daisy.”... Read More
This month, when the nominations for the 94th Academy Awards were announced, Ryusuke Hamaguchi’s Japanese arthouse film Drive My Car managed to crack the Best... Read More
As someone who grew up on the music of Alanis Morissette and Jagged Little Pill, it’s safe to say I felt the documentary Jagged by... Read More
Matt St. Clair takes a look at how everything from the pandemic to the preferential ballot have all but eliminated the chance of blockbuster films... Read More
Within his short filmography, rising Scottish actor Jack Lowden has shown immense acting range in films like Mary Queen of Scots, Kindred, and the overlooked... Read More
Just last year, Riz Ahmed wowed viewers with his stirring, Oscar-nominated portrayal of a drummer losing his hearing in Sound of Metal. His latest starring... Read More

‘Hellraiser’ review: A chilling franchise reinvigoration with eerie visual flair that will have you on pins and needles [B]
‘Will-o’-the-Wisp’ review: A sensory queer musical with grand thematic scope [B+] | Toronto
‘Wildhood’ review: A profound and inclusive entry in the queer coming-of-age tale canon (A-)
From ‘The Birdcage’ to ‘Happy Together’ to ‘Tangerine,’ 10 LGBTQ+ stories that go beyond the coming out narrative
How recent Best Actress Oscar winners could be leading the way to Hollywood becoming more pro-aging towards women
10 recent Non-English language films that deserved a Best Picture nomination
‘Jagged’ review: Alanis Morissette doc is indeed “fine, fine, fine” [Grade: B+]
Have we seen the end of the technical juggernaut winning Best Picture?
TIFF Review: A career-best Jack Lowden carries Terence Davies’ somber yet lyrical ‘Benediction’ [Grade: A]
TIFF Review: Riz Ahmed is once again a powerhouse in minimalist sci-fi pic ‘Encounter’ [Grade: A-]
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10
41st Spirit Awards Nominations: ‘Peter Hujar’s Day,’ ‘Lurker,’ ‘Train Dreams’ Lead