‘Love (Kjærlighet)’ Review: First There Was ‘Sex,’ Now Dag Johan Haugerud’s Middle Trilogy Film Looks for What ‘Dreams’ May Come | Venice
Love, the second film in Norwegian writer-director Dag Johan Haugerud’s trilogy exploring human connections (Sex premiered this year at the Berlinale and Dreams is still... Read More
Savina Petkova
‘Stranger Eyes’ Review: The First Singapore Venice Competition Title is a Well-Crafted Thriller | Venice
Stranger Eyes by Yeo Siew Hua has already made history as Venice’s first ever Golden Lion contender hailing from Singapore, but it is its stylish... Read More
‘The Quiet Son (Jouer avec le feu)’ Review: We’ve Seen This Vincent Lindon-led French Family Drama Before | Venice
Pierre (Vincent Lindon) is a fifty-something single father who works night shifts for the SNCF (the French railway) as a mechanic/engineer and spends his free... Read More
‘Wolfs’ Review: Brad Pitt and George Clooney Deliver the Ultimate (and Wholesome) Face Off in Jon Watts’ Exciting New Thriller | Venice
The harsh sound of glass breaking.“Shit!,” we hear a woman exclaim while the opening scene soars over night-time Manhattan. Blinds slide down over some French... Read More
‘Maria’ Review: Angelina Jolie is a Woman Under the Influence in Pablo Larraín’s Minor Lietmotif | Venice
Even though he has been working in the biopic genre for a while now (NO, Neruda, Jackie, Spencer), Chilean director Pablo Larraín was under the... Read More
‘Bird’ Review: Andrea Arnold’s Fable is Salvation in Pure Cinematic Form | Cannes
British filmmaker Andrea Arnold has always been interested in humans: the way they live, love, and carry their wounds through a world that is not... Read More
‘Anora’ Review: Sean Baker’s Joyous New York City Tale Finds Love in a Hopeless Place and a Superstar in Mikey Madison | Cannes
Not every girl wants to be somebody’s princess, but anyone who does, should be given the opportunity. This is not exactly what Sean Baker wants... Read More
‘The Shrouds’ Review: David Cronenberg’s Exploration of Loss Ends Up Digging Its Own Grave | Cannes
We love it when a prominent auteur uses cinema to take stock of time passed and the remaining time; to cherish the love he must... Read More
‘The Apprentice’ Review: Sebastian Stan and Jeremy Strong are the Perfect Toxic Duo in Ali Abbasi’s Story of Donald Trump’s Rise | Cannes
Iranian-Danish director Ali Abbasi is really going against the grain of auteurism. His last three films have all premiered in Cannes competitions; in 2019 Border... Read More
‘Oh Canada’ Review: Proxy Richard Gere is Superb as Paul Schrader Points the Camera at Himself | Cannes
A Venice mainstay himself, Schrader premiered his newest chamber piece, Oh Canada in this year’s Cannes Competition and after The Card Counter’s elegant harshness and... Read More
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