The initial idea for Audrey Diwan’s Happening (L’Événement) came from a famous French autobiographical novel, written by Annie Ernaux in 2000 about her own illegal... Read More
Savina Petkova
Michel Franco returns to the Lido just one year after his New Order won the Silver Lion Grand Jury Prize, premiering his latest which also... Read More
Three years after premiering her BAFTA-nominated debut feature, Only You, British filmmaker Harry Wootliff returns to the festival circuit with True Things, a mature and... Read More
Leda, a middle-aged comp-lit professor, arrives at a lavish Greek island accompanied solely by her books. Played by an overwrought Olivia Colman, she frets and... Read More
“If not for the money, why play?” – “It passes the time,” says professional gambler William Tell (Oscar Isaac) when prompted to justify his string... Read More
The entire heart-rending story of Kornél Mundruczó’s newest feature, Pieces of a Woman, can be deciphered in Martha (Vanessa Kirby)’s fingers – their gestures and... Read More
The feature-film directorial debut of Emmy and Academy Award-winning actress Regina King will leave a significant mark in the history of the Venice Film Festival,... Read More
For three years, since 2017, Italian director Luca Guadagnino has been working on a documentary dedicated to the life and work of shoemaker Salvatore Ferragamo... Read More
Some documentaries take its subject matter to heart which also involves probing and delicately unfolding it at the same time. Others are so determined to... Read More
Of course, it’s red. It’s also glossy, velvety, leopard print, and eroticised artworks adorn its walls. It’s an apartment but it’s also an artificially built... Read More

Venice Review: Audrey Diwan’s abortion drama ‘Happening (L’Événement)’ bares all but leaves its lead an empty vessel [Grade C-]
Venice Review: Tim Roth and Charlotte Gainsbourg seethe in the Mexican heat of Michel Franco’s ‘Sundown’ [Grade: B]
Venice review: ‘True Things’ cements Harry Wootliff as the master of new British drama [Grade: A-]
Venice Review: With ‘The Lost Daughter,’ Maggie Gyllenhaal exposes mother-daughter relations in their vile, discomforting essence [Grade: B]
Venice review: The road to redemption is a long and rocky one in Paul Schrader’s ‘The Card Counter’ [Grade: A]
Venice Review: Vanessa Kirby gives a career-best performance in grief-laden ‘Pieces of a Woman’
Venice Review: Regina King’s glorious ‘One Night in Miami’ is a vital and indispensable directorial debut
Venice Review: Luca Guadagnino cobbles together a Ferragamo fantasy in ‘Salvatore – Shoemaker of Dreams’
Venice Review: The children are our future in effective and fearless ‘Greta’
Venice Review: Tilda Swinton is incandescent in Almodóvar’s ‘The Human Voice’
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10