‘Sinners’ Review: Ryan Coogler’s Survive-the-Night Vampire Epic Carries the Pulpy Ambition of an Assured Filmmaker [B+]
It’s often remarked how the rise of the superhero industrial complex over the past 15 years has robbed audiences of more varied roles from some... Read More
Trace Sauveur
‘A Minecraft Movie’ Review: The Best-Selling Video Game of All Time Becomes Generic Building Blocks in Uninspired Adaptation [C]
The troubled relationship between cinema and video games—namely, the former’s filmic interpretations of the latter—can often be distilled down to an attempt to translate an... Read More
Interview: How Billy Bryk, Finn Wolfhard, and Fred Hechinger Found the Contemporary Sincerity of Their Coming-of-Age Slasher Comedy ‘Hell of a Summer’
Finn Wolfhard and Billy Bryk are nearly half as old as the first Friday the 13th movie, making them promising candidates to overhaul the iconic... Read More
‘Friendship’ Review: Tim Robinson Goes Off the Rails in this Hilarious, Bizarre Platonic Breakup Comedy [B+] | SXSW
It’s all too easy to say that Friendship, the debut film from writer-director Andrew DeYoung starring Tim Robinson, plays like a feature-length version of I... Read More
‘40 Acres’ Review: A Familiar Post-Apocalypse Setting Gives Way to Socio-Political Critique and Cannibal Horror [B+] | SXSW
You’d be pretty hard-pressed to find a post-apocalyptic film that doesn’t feel cobbled together from a storied history of derivative parts. Stories of loners, families,... Read More
‘The Baltimorons’ Review: Jay Duplass Returns with an Endearing, Bittersweet Christmas Eve Romance [B] | SXSW
The Baltimorons is Jay Duplass’ first original feature film in 14 years. One half of the American independent cinema duo heavyweights of the aughts and... Read More
Interview: Todd Solondz on the 4K Restoration of ‘Palindromes,’ the State of Independent Filmmaking, and his Approach to Comedy
Todd Solondz has long embraced his persona as a cinematic agitator and provocateur. He seems to follow a pattern: as critics and audiences recoil from... Read More
‘The Monkey’ Review: Osgood Perkins’ Midnight Movie Bloodbath is Caught Between Gruesome Irony and Flat Melodrama [C]
Death looms like a specter in nearly all of Osgood Perkins’ films. Consider the chilly threat of the beyond in The Blackcoat’s Daughter, the dark... Read More
‘Captain America: Brave New World’ Review: Marvel Continues to Self-Perpetuate Their Own Impending Irrelevance [D+]
It’s an accepted fact that at this point in the Marvel Cinematic Universe’s lifecycle, keeping up with the extended lore and returning characters means slogging... Read More
‘Sonic the Hedgehog 3’ Review: Threequel Outshines Its Predecessors by Introducing a Shadow [B]
It’s funny what a series of competent, agreeable family movies have done for the Sonic the Hedgehog franchise. Following a prolonged down period for the... Read More
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists 
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards 
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award 
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10