It’s funny what a series of competent, agreeable family movies have done for the Sonic the Hedgehog franchise. Following a prolonged down period for the... Read More
Trace Sauveur
On December 5, 2024, film critic Matt Zoller Seitz published a profile feature for Vulture entitled “Moonlight in the Lion’s Den.” It traces filmmaker Barry... Read More
It’s hard to ask for a more routinely workmanlike filmmaker than James Mangold. Whether working in the realm of mental health drama (Girl, Interrupted), big... Read More
Election fraud. A migrant crime wave. Immigrants eating pets. FEMA exploiting hurricane survivors. The Democrats controlling the weather. These are just a few of the... Read More
On November 9, 1984, Wes Craven’s A Nightmare on Elm Street was released to critical and commercial acclaim, praised for how it leveraged the slasher... Read More
Smile 2, the sequel to 2022’s horror franchise breakout, opens with one of the boldest sequences you’ll find in mainstream cinema this year. We’re re-introduced... Read More
To call Blink Twice an updated, feminist version of Get Out carries a lot of implications all at once—it’s a bit obvious, somewhat reductive, and... Read More
It was only a matter of time before author du jour Colleen Hoover received the film adaptation treatment of one of her novels. Hoover made... Read More
Let this review serve as a warning to you, your friends, and your family: Despicable Me 4 is out, and the Minions have returned to... Read More
The A Quiet Place franchise is the poster child for enjoyably competent yet unremarkable studio horror. With the first two films spearheaded by John Krasinski,... Read More

‘Sonic the Hedgehog 3’ Review: Threequel Outshines Its Predecessors by Introducing a Shadow [B]
‘Mufasa: The Lion King’ Review: If Lion Cubs Could Talk [D]
‘A Complete Unknown’ Review: Chalamet is Great, but Film Succumbs to Familiar Biopic Pitfalls of a Life Collapsed into Montage [C+]
The Parrot Isn’t Saying Anything: How the 2024 U.S. Election Has Proven ‘Under the Silver Lake’ to be Right All Along
‘Shocker’ at 35: Wes Craven’s Beautifully Bonkers Thriller About an Electric Serial Killer Lives On As an Underrated Gem [Retrospective]
‘Smile 2’ Review: Light Up Your Face with Gladness; Parker Finn’s Horror Franchise Sequel is Overly Familiar but Boasts an Impressive Sense of Style
‘Blink Twice’ Review: Zoë Kravitz’s Feminist ‘Get Out’ is Righteously Angry and Frustratingly Derivative
‘It Ends With Us’ Review: Maybe We Should Have Kept Colleen Hoover on BookTok
‘Despicable Me 4’ Review: Super Minions, Gru Jr, and a Cockroach Man Clear the Low-Quality Bar Set by this Hyperactive Franchise
‘A Quiet Place: Day One’ Review: Lupita Nyong’o Dodges Aliens with Her Cat While Looking for Pizza in Competent Yet Unremarkable Prequel
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool
How Judith Light Psychs Us Out in ‘The Terror: Devil in Silver’ and the Secret to Her Long-lasting Career [VIDEO INTERVIEW]