‘From the World of John Wick: Ballerina’ Review: Ana de Armas Kicks an Adequate Amount of Ass in Recycled ‘Wick’ Leftovers [B-]
If the title From the World of John Wick: Ballerina didn’t clue you into what cinematic universe the film in question is set in (for... Read More
Trace Sauveur
Trapped In a Loop: I Watched ‘Until Dawn’ Six Times in One Night and Survived…Barely
As soon as I got the email about the Until Dawn all-nighter contest, I knew I had to do it. I’m a sucker for a... Read More
‘Sinners’ Review: Ryan Coogler’s Survive-the-Night Vampire Epic Carries the Pulpy Ambition of an Assured Filmmaker [B+]
It’s often remarked how the rise of the superhero industrial complex over the past 15 years has robbed audiences of more varied roles from some... Read More
‘A Minecraft Movie’ Review: The Best-Selling Video Game of All Time Becomes Generic Building Blocks in Uninspired Adaptation [C]
The troubled relationship between cinema and video games—namely, the former’s filmic interpretations of the latter—can often be distilled down to an attempt to translate an... Read More
Interview: How Billy Bryk, Finn Wolfhard, and Fred Hechinger Found the Contemporary Sincerity of Their Coming-of-Age Slasher Comedy ‘Hell of a Summer’
Finn Wolfhard and Billy Bryk are nearly half as old as the first Friday the 13th movie, making them promising candidates to overhaul the iconic... Read More
‘Friendship’ Review: Tim Robinson Goes Off the Rails in this Hilarious, Bizarre Platonic Breakup Comedy [B+] | SXSW
It’s all too easy to say that Friendship, the debut film from writer-director Andrew DeYoung starring Tim Robinson, plays like a feature-length version of I... Read More
‘40 Acres’ Review: A Familiar Post-Apocalypse Setting Gives Way to Socio-Political Critique and Cannibal Horror [B+] | SXSW
You’d be pretty hard-pressed to find a post-apocalyptic film that doesn’t feel cobbled together from a storied history of derivative parts. Stories of loners, families,... Read More
‘The Baltimorons’ Review: Jay Duplass Returns with an Endearing, Bittersweet Christmas Eve Romance [B] | SXSW
The Baltimorons is Jay Duplass’ first original feature film in 14 years. One half of the American independent cinema duo heavyweights of the aughts and... Read More
Interview: Todd Solondz on the 4K Restoration of ‘Palindromes,’ the State of Independent Filmmaking, and his Approach to Comedy
Todd Solondz has long embraced his persona as a cinematic agitator and provocateur. He seems to follow a pattern: as critics and audiences recoil from... Read More
‘The Monkey’ Review: Osgood Perkins’ Midnight Movie Bloodbath is Caught Between Gruesome Irony and Flat Melodrama [C]
Death looms like a specter in nearly all of Osgood Perkins’ films. Consider the chilly threat of the beyond in The Blackcoat’s Daughter, the dark... Read More
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future 
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B] 
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+] 
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes