Election fraud. A migrant crime wave. Immigrants eating pets. FEMA exploiting hurricane survivors. The Democrats controlling the weather. These are just a few of the... Read More
Trace Sauveur
On November 9, 1984, Wes Craven’s A Nightmare on Elm Street was released to critical and commercial acclaim, praised for how it leveraged the slasher... Read More
Smile 2, the sequel to 2022’s horror franchise breakout, opens with one of the boldest sequences you’ll find in mainstream cinema this year. We’re re-introduced... Read More
To call Blink Twice an updated, feminist version of Get Out carries a lot of implications all at once—it’s a bit obvious, somewhat reductive, and... Read More
It was only a matter of time before author du jour Colleen Hoover received the film adaptation treatment of one of her novels. Hoover made... Read More
Let this review serve as a warning to you, your friends, and your family: Despicable Me 4 is out, and the Minions have returned to... Read More
The A Quiet Place franchise is the poster child for enjoyably competent yet unremarkable studio horror. With the first two films spearheaded by John Krasinski,... Read More
In a recent red carpet interview, Sam Raimi was asked about the possibility of Spider-Man 4—that is, a continuation of Raimi’s own Spider-Man series with... Read More
Michael Showalter was a bit of a weirdo comedy maverick during his initial years in entertainment. During his time at NYU, he joined an improv... Read More
Within the first fifteen minutes of Crank: High Voltage, Jason Statham’s Chev Chelios has graphic forcible open heart surgery, violently guns down some dudes, sodomizes... Read More

The Parrot Isn’t Saying Anything: How the 2024 U.S. Election Has Proven ‘Under the Silver Lake’ to be Right All Along
‘Shocker’ at 35: Wes Craven’s Beautifully Bonkers Thriller About an Electric Serial Killer Lives On As an Underrated Gem [Retrospective]
‘Smile 2’ Review: Light Up Your Face with Gladness; Parker Finn’s Horror Franchise Sequel is Overly Familiar but Boasts an Impressive Sense of Style
‘Blink Twice’ Review: Zoë Kravitz’s Feminist ‘Get Out’ is Righteously Angry and Frustratingly Derivative
‘It Ends With Us’ Review: Maybe We Should Have Kept Colleen Hoover on BookTok
‘Despicable Me 4’ Review: Super Minions, Gru Jr, and a Cockroach Man Clear the Low-Quality Bar Set by this Hyperactive Franchise
‘A Quiet Place: Day One’ Review: Lupita Nyong’o Dodges Aliens with Her Cat While Looking for Pizza in Competent Yet Unremarkable Prequel
20 Years Later, ‘Spider-Man 2’ is Still the Most Human Superhero Movie Ever Made [Retrospective]
Interview: Michael Showalter on ‘The Idea of You,’ His Comfort Zone as a Rom-Com Director, and Finding the Balance Between Drama and Comedy
Retrospective: Amped Up Jason Statham, Super-Charged Nipple Clamps and the Postmodern American Vulgarity of ‘Crank: High Voltage’ (2009)
Director Watch Podcast Ep. 144 – ‘A Matter of Life and Death (Powell and Pressburger, 1946) with Special Guest Jesse Nussman
Association of Motion Picture Sound (AMPS) Television and Nonfiction Nominations Announced: ‘Adolescence,’ ‘Black Mirror,’ ‘Slow Horses’ and More
Trailer Watch: ‘Spider-Man: Brand New Day,’ ‘Dune: Part Three,’ Disclosure Day,’ ‘Wild Horse Nine’
‘Anima’ Review: Sydney Chandler and Takehiro Hira Ground Brian Tetsuro Ivie’s Low-Fi Sci-Fi Road Movie [B+] SXSW