Let this review serve as a warning to you, your friends, and your family: Despicable Me 4 is out, and the Minions have returned to... Read More
Trace Sauveur
The A Quiet Place franchise is the poster child for enjoyably competent yet unremarkable studio horror. With the first two films spearheaded by John Krasinski,... Read More
In a recent red carpet interview, Sam Raimi was asked about the possibility of Spider-Man 4—that is, a continuation of Raimi’s own Spider-Man series with... Read More
Michael Showalter was a bit of a weirdo comedy maverick during his initial years in entertainment. During his time at NYU, he joined an improv... Read More
Within the first fifteen minutes of Crank: High Voltage, Jason Statham’s Chev Chelios has graphic forcible open heart surgery, violently guns down some dudes, sodomizes... Read More
In 2012, Wally Pfister was on top of the world. The cinematographer had a long career during the 90s shooting cheap, tawdry erotic thrillers like... Read More
Jonathan Glazer seemed like one of the more unlikely Oscar frontrunners for the 2023 awards season. Up until now with The Zone of Interest, an... Read More
On January 16, 2009, Paul Blart: Mall Cop was released in theaters. A Happy Madison-produced family comedy about a bumbling mall security guard played by... Read More
It’s no secret that the Oscars are prone to getting it wrong. Since 1929, the annual ceremony has had no shortage of head-scratching decisions as... Read More
The art of the rom-com is a delicate thing. Among all the meet-cutes, falling-in-love montages, and temporary breakups before the main characters ultimately decide they’re... Read More

‘Despicable Me 4’ Review: Super Minions, Gru Jr, and a Cockroach Man Clear the Low-Quality Bar Set by this Hyperactive Franchise
‘A Quiet Place: Day One’ Review: Lupita Nyong’o Dodges Aliens with Her Cat While Looking for Pizza in Competent Yet Unremarkable Prequel
20 Years Later, ‘Spider-Man 2’ is Still the Most Human Superhero Movie Ever Made [Retrospective]
Interview: Michael Showalter on ‘The Idea of You,’ His Comfort Zone as a Rom-Com Director, and Finding the Balance Between Drama and Comedy
Retrospective: Amped Up Jason Statham, Super-Charged Nipple Clamps and the Postmodern American Vulgarity of ‘Crank: High Voltage’ (2009)
10 Years Ago, Wally Pfister Made ‘Transcendence’ and Was Never Heard From Again [Retrospective]
10 Years Later, Jonathan Glazer’s ‘Under the Skin’ Feels More Timely Than Ever [Retrospective]
Holding Out for a Hero: ‘Paul Blart: Mall Cop’ and ‘Observe and Report’ at 15 [Retrospective]
From ‘The Broadway Melody’ to ‘Crash’ to ‘CODA,’ the Most Hated Best Picture Oscar Winners and What Should Have Won Instead
From ‘Adventureland’ to ‘Joe Versus the Volcano,’ 9 Underrated Rom-Coms to Fill the Void in Your Heart This Valentine’s Day
BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare?
Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’
‘At the Sea’ Review: Amy Adams Gasps for Air in Film Desperate to Drown Her Under the Weight of Water [C] Berlinale
‘Take Me Home’ Review: Liz Sargent’s Intimate Caregiving Drama Confronts a System Built to Fail [B-] Berlinale