You can, of course, leave it to Steven Soderbergh of all people to make a biting and salient drama about the ways we value and... Read More
Trace Sauveur
During the end credits of Roofman, a series of news clips and interviews of people who came into contact with the notorious “Roofman” robber are... Read More
There’s an age-old moviemaking proverb that the new Austin Butler-starring crime thriller Caught Stealing abides by strictly, a sort of promise of destiny that this... Read More
There’s a fitting irony in 2025’s The Fantastic Four: First Steps, Marvel’s latest cinematic take on its so-called “First Family.” It marks the fourth attempt... Read More
In 1978, Richard Donner helped Warner Bros. convince audiences that a man could fly with the Christopher Reeve–starring, groundbreakingly successful Superman. Over the 45-plus years... Read More
When the last three movies in a franchise each earned over $1 billion at the box office, it’s no shock to see a regularly scheduled... Read More
There was a solid 30- to 45-minute period during the first half of 28 Years Later when I was convinced I was watching one of... Read More
Of all the types of directorial projects to get pigeonholed into based on the achievement of previous work, action movies centered around the highly technical,... Read More
When does an animated classic have a reasonable justification for being remade in live action? Is it when a fresh set of eyes brings a... Read More
If the title From the World of John Wick: Ballerina didn’t clue you into what cinematic universe the film in question is set in (for... Read More

‘The Christophers’ Review: Ian McKellen is an Irritable, Aging Painter in Steven Soderbergh’s Warm and Funny Chamber Drama About Artistic Integrity [B+] TIFF
‘Roofman’ Review: Channing Tatum Charms but Derek Cianfrance’s Eccentric True Crime Dramedy Puts Too Much Stock in the Fables of Its Subject [C+] TIFF
‘The Fantastic Four: First Steps’ Review: Marvel’s First Family Finally Finds an Enjoyable Stride in their Fourth Portrayal [B]
‘Superman’ Review: James Gunn Reinvigorates the DC Hero with a Splashy Comic-Book Verve [B]
‘Jurassic World: Rebirth’ Review: Gareth Edwards Takes the Dino Franchise Back to B-Movie Basics, For Better or Worse [C]
‘28 Years Later’ Review: Danny Boyle’s iPhone-Shot Zombie Sequel is Audacious, Disjointed, and Bewildering [B]
‘F1 The Movie’ Review: Joseph Kosinski’s Racing Drama Hits the Apex of Expertly Designed Summer Crowd-Pleasers [A-]
‘How to Train Your Dragon’ Review: Live-Action and CGI Remake Clutches Tight to the Original to Take Flight [C+]
‘From the World of John Wick: Ballerina’ Review: Ana de Armas Kicks an Adequate Amount of Ass in Recycled ‘Wick’ Leftovers [B-]
How Judith Light Psychs Us Out in ‘The Terror: Devil in Silver’ and the Secret to Her Long-lasting Career [VIDEO INTERVIEW]
2027 Oscar Predictions: BEST ACTRESS (May)
Colman Domingo to Receive Variety Creative Conscience Award at 50th San Francisco International LGBTQ+ Film Festival (Frameline50)
Interview: Ildikó Enyedi on Working with Tony Leung and Léa Seydoux and Her Triptych Storytelling in ‘Silent Friend’