AwardsWatch - Can the Academy Save Itself From Itself?

It was one thing that film fans and Oscar fans alike joined forces to decry the Academy’s decision to move four categories – Cinematography, Film Editing, Live-Action Short and Makeup & Hairstyling – to commercial breaks (to be edited into the show later) I don’t know if they were expected the level of anger and even vitriol that came their way when actors and filmmakers also rallied against the decision, taking to social media to voice their disappointment, distress and sometimes downright anger. [UPDATE: see below]

In the history of CINEMA, masterpieces have existed without sound, without color, without a story, without actors and without music. No one single film has ever existed without CINEMAtography and without editing.
— Alfonso Cuaron (@alfonsocuaron) February 12, 2019

For every young person who might watch the Oscars and dream of one day being an editor or cinematographer or make-up artist, I hope you enjoy all the musical numbers.
— Jason Reitman (@JasonReitman) February 12, 2019

What better way to celebrate achievements in film than to not publicly honor the people’s who’s job it is to literally film things.
— Seth Rogen (@Sethrogen) February 12, 2019

@TheAcademy Without editing and cinematography you have words on a page or actors on a stage but you sure as hell don’t have a movie.
— Rachel Morrison (@morrisondp) February 12, 2019

The Academy is removing cinematography, editing and make up from the televised show?
This is just such a fundamentally stupid decision, I’m not even going to be bothered trying to be a smart arse about it.
It’s just too fucking dumb for words.
— Russell Crowe (@russellcrowe) February 12, 2019

What an insult to award two of the most essential
Qualities of film making in the commercial breaks.
This is a misguided act that robs the awards of
Whatever relevance remains. It’s now just a platform
For commercials.
— William Friedkin (@WilliamFriedkin) February 12, 2019

Reposting, revised: I would not presume to suggest what categories should occur during commercials on Oscars night, but, please: Cinematography & Editing are at the very heart of our craft. They are not inherited from a theatrical or literary tradition: they are cinema itself.
— Guillermo del Toro (@RealGDT) February 13, 2019

Cinematographer group rips #Oscars treatment: "We cannot quietly condone this decision" https://t.co/2QmEpkQEfV pic.twitter.com/YHaMFuTLwn
— The Hollywood Reporter (@THR) February 12, 2019

This outcry prompted the Academy of Motion Picture Arts and Sciences’ board of governors to fire off a letter proclaiming that ‘There has been a chain of misinformation.’ Yes, they’re crying ‘Fake News.’

The letter reads as follows:

“As the Academy’s officers, we’d like to assure you that no award category at the 91st Oscars ceremony will be presented in a manner that depicts the achievements of its nominees and winners as less than any others,” the letter states. “Unfortunately, as the result of inaccurate reporting and social media posts, there has been a chain of misinformation that has understandably upset many Academy members. We’d like to restate and explain the plans for presenting the awards, as endorsed by the Academy’s Board of Governors.”
[The show producers have] “given great consideration to both Oscar tradition and our broad global audience. We sincerely believe you will be pleased with the show, and look forward to celebrating a great year in movies with all Academy members and with the rest of the world.”

The letter was signed by president John Bailey, vice presidents Lois Burwell, Sid Ganis and Larry Karaszewski, Nancy Utley, treasurer Jim Gianopulos and secretary David Rubin.

They also broke down exactly how the four categories would be presented, exactly as has been reported – in edited versions to be inserted into the show later. It was stated that only the time from name announcement to the stage would be cut but as we reported in the 90th Oscars show breakdown, that wouldn’t account for nearly enough time to assist in getting to a 3-hour show. The board elaborated that each year four to six categories will be chosen to receive this treatment with this year’s categories not up for the chop in 2020. It can probably be safely presumed that no category would have to in consecutive years but no clarification was made on that. No clarification either on if any ‘Top 8’ categories (Acting, Writing, Director, Picture) would be affected but that seems highly doubtful. The idea was discussed and agreed to in August with “full support” of all branches, the same time the ‘Popular Film’ Oscar was introduced and then quickly shuttered after immense backlash.

Just before the email went out to members, an open letter to AMPAS president John Bailey from over three dozen Oscar-winning and nominated directors and cinematographers including Karyn Kusama, Marjane Satrapi, Spike Lee, Quentin Tarantino, Roger Deakins and Emmanuel Lubezki. [UPDATE: Over 100 directors, actors and filmmakers have been added to the list, now featured below]

“Relegating these essential cinematic crafts to lesser status in this 91st Academy Awards ceremony is nothing less than an insult to those of us who have devoted our lives and passions to our chosen profession,” it read.

With Oscar winner voting currently underway and the ceremony just 10 days away, a change back to keeping those four categories intact on the show would require the entire Board of Governors (54 members) to reconvene and vote to do so. No word on if that is even on the table but AMPAS president John Bailey seems to be digging his heels in on the matter.

2019 Oscars: What it will take to have a 3-hour show and why they shouldn’t do it

Just last week after a rumor swirled that the Oscars producers, Glenn Weiss and Donna Gigliotti, decided not to ask last year’s acting winners to return as presenters (as is Oscars tradition) and instead seek out more ‘high-caliber’ stars, Best Supporting Actress winner Allison Janney took to her Instagram to express her dismay at the decision. Within days, Janney deleted the post and the Academy did a quick 180, inviting all four winners back to present, with a twist; instead of having each winner present to the opposite gender of their category, the plan is for Frances McDormand and Sam Rockwell to present together, as well as Gary Oldman and Janney. No word on what categories they’d be in charge of.

Here is the filmmakers’ open letter in its entirety:

An Open Letter to The Academy of Motion Picture Arts & Sciences and The Producers of the 91st Annual Academy Awards Broadcast:

On Monday, February 11, 2019, John Bailey, President of the Academy of Motion Picture Arts & Sciences, announced that this year’s Oscar presentations for Best Cinematography — along with Film Editing, Live Action Short and Makeup and Hairstyling — will not be broadcast live, but rather presented during a commercial break. This decision was made to reduce the length of the show from four hours to three. The vocal response from our peers and the immediate backlash from industry leaders over the Academy’s decision makes it clear that it’s not too late to have this decision reversed.

The Academy was founded in 1927 to recognize and uphold excellence in the cinematic arts, inspire imagination and help connect the world through the universal medium of motion pictures. Unfortunately, we have drifted from this mission in our pursuit of presenting entertainment rather than in presenting a celebration of our art form and the people behind it.

Relegating these essential cinematic crafts to lesser status in this 91 st Academy Awards ceremony is nothing less than an insult to those of us who have devoted our lives and passions to our chosen profession.

The show’s director, Glenn Weiss, has stated that he will determine what “emotionally resonant” moments from the four winners’ speeches will be selected to air later in the broadcast. The show will cut any additional comment from presenters, as well as any recitation of the nominees as they see fit.

Since its inception, the Academy Awards telecast has been altered over time to keep the format fresh, but never by sacrificing the integrity of the Academy’s original mission. When the recognition of those responsible for the creation of outstanding cinema is being diminished by the very institution whose purpose it is to protect it, then we are no longer upholding the spirit of the Academy’s promise to celebrate film as a collaborative art form. To quote our colleague Seth Rogan, “What better way to celebrate achievements in film than to NOT publicly honor the people whose job it is to literally film things.”

Signed,

Cinematographers
Thomas Ackerman
Javier Aguirresarobe
Fernando Argüelles
Paul Atkins
Gary Baum
Bojan Bazelli
Dion Beebe
Bill Bennett
Gabriel Beristain
Oliver Bokelberg
Russell Boyd
Natasha Braier
Vance Burberry
Antonio Calvache
Rodney Charters
Christopher Chomyn
James Chressanthis
T.C. Christensen
Jack Cooperman
Dean Cundey
David Darby
Roger Deakins
Frankie DeMarco
Peter Deming
Jim Denault
Caleb Deschanel
George Spiro Dibie
Billy Dickson
Mark Doering-Powell
Todd A. Dos Reis
Stuart Dryburgh
Bert Dunk
John Dykstra
Robert Elswit
John C. Flinn III
Mauro Fiore
Markus Förderer
Ron Fortunato
Greig Fraser
Jonathan Freeman
Alex Funke
Steve Gainer
Dana Gonzales
Nathaniel Goodman
David Greene
Alexander Gruszynski
David R. Hardberger
Gregg Heschong
Tom Houghton
Paul Hughen
Shane Hurlbut
Peter James
Johnny E. Jensen
Matthew Jensen
Tor Johansen
Shelly Johnson
Janusz Kaminski
Adam Kane
Stephen M. Katz
Darius Khondji
David Klein
Ellen Kuras
Joseph Labisi
Ed Lachman
Jacek Laskus
Patti Lee
Robert Legato
John Leonetti
Philippe Le Sourd
Peter Levy
Karl Walter Lindenlaub
Jimmy Lindsey
Emmanuel Lubezki
Glen Macpherson
Paul Maibaum
Constantine Makris
Denis Maloney
Anthony Dod Mantle
Clark Mathis
Michael McDonough
Erik Messerschmidt
Anastas Michos
Gregory Middleton
Charles Minsky
Seamus McGarvey
Robert Mclachlan
Suki Medencevic
Chris Menges
Dan Mindel
George Mooradian
Reed Morano
Polly Morgan
Rachel Morrison
Peter Moss
David Moxness
M. David Mullen
Guillermo Navarro
James Neihouse
Michael Negrin
John Newby
Sam Nicholson
Crescenzo Notarile
Jules O’Loughlin
Thomas Alger Olgeirsson
Phedon Papamichael
Andrij Parekh
Daniel Pearl
Dave Perkal
Wally Pfister
Rodrigo Prieto
Robert Primes
Frank Prinzi
Christopher Probst
Robert Richardson
Anthony B Richmond
Antonio Riestra
Pete Romano
Martin Ruhe
Paul Ryan
Alik Sakharov
Mikael Salomon
Linus Sandgren
Germano Saracco
Paul Sarossy
Tobias Schliessler
John Seale
Ben Seresin
Steven Shaw
Lawrence Sher
Newton Thomas Sigel
John Simmons
Vittorio Storaro
Gavin Struthers
Tim Suhrstedt
Attila Szalay
Mario Tosi
Salvatore Totino
Kristy Tully
Eric van Haren Noman
Hoyte van Hoytema
Kees van Oostrum
Theo Van De Sande
Checco Varese
Mark Vargo
Roy Wagner
Colin Watkinson
Michael Weaver
Mark H. Weingartner
Jo Willems
Kenneth Zunder
Directors
Darren Aronofsky
Brad Bird
Danny Boyle
Damien Chazelle
George Clooney
Joel Coen
Brady Corbet
Alfonso Cuaron
Guillermo del Toro
Steve Faigenbaum
Rick Famuyiwa
Rodrigo Garcia
Drew Goddard
James Gray
Luca Guadagnino
Sam Hargrave
Alejandro G. Iñárritu
Spike Jonze
Nicole Holofcener
Ron Howard
Karyn Kusama
Yorgos Lanthimos
Ang Lee
Spike Lee
Will Lovelace
Kevin Macdonald
Dennis Maguire
Michael Mann
Rob Marshall
Sam Mendes
Christopher McQuarrie
Christopher Nolan
Pawel Pawlikoski
Alexander Payne
Mark Pellington
Michael Polish
Sam Raimi
Jason Reitman
David O. Russell
Dee Rees
Nicolas Winding Refn
Seth Rogen
Joe Russo
Marjane Satrapi
Julian Schnabel
Martin Scorsese
M Night Shyamalan
Dylan Southern
Quentin Tarantino
Fernando Trueba
Denis Villeneuve
Chris Weitz
Joss Whedon
Edgar Wright
Joe Wright
Actors
Kathy Baker
Elizabeth Banks
Kate Bosworth
Zach Braff
Sterling K. Brown
Sandra Bullock
Rose Byrne
Bobby Cannavale
Max Casella
Jessica Chastain
Robert De Niro
Peter Dinklage
Ann Dowd
Elle Fanning
Paul Giamatti
Bill Hader
Michael C. Hall
Jon Hamm
Catherine Keener
Barry Keoghan
Riley Keough
Jude Law
Virginia Madsen
Frances McDormand
Max Minghella
Rosamond Pike
Brad Pitt
Jason Segel
Chloe Sevigny
Tye Sheridan
Emma Stone
Jason Sudeikis
Ulrich Thomsen
Kerry Washington
Olivia Wilde
Filmmakers
Jacques Audiard
Collen Atwood
Kym Barrett
Thomas Barron
Alan Baumgarten
Alan Edward Bell
William Brent Bell
Erin Benach
Avril Beukes
Consolata Boyle
Maryann Brandon
Alexandra Byrne
Eugenio Caballero
Milena Canonero
Hank Corwin
Scott Dale
Sophie De Rakoff
Chris Dickens
Matthew Duclos
Bob Ducsay
Mark L Duncan
Seth Emmons
Louie Escobar
Lou Eyrich
Dante Ferretti
Eric Fletcher
Glenn Fremantle
Jose Antonio Garcia
Dana Glauberman
William Goldenberg
Affonso Goncalves
Adam Gough
Jon Gregory
Clay Griffith
David Gropman
Mark Helfrich
Dorian Harris
Michael Hatzer
Rick Heinrichs
David Heyman
Amy Hobby
Frieder Hochheim
Jay Holben
Nichole Huenergardt
Rob Hummel
Chris Innis
Alan Ipakchian
Joanna Johnston
Frank Kay
Debbie Kennard
Douglas Kirkland
Jon Kilik
Anne Kuljian
Michael Legato
Devin Mann
Michael Mansouri
Mary Jo Markey
Joi McMillon
Ellen Mirojnick
Stephen Mirrione
Bob Murawski
Jeffrey A. Okun
John Ottman
Ellen Page
Michael Pizzuto
Sandy Powell
Fred Raskin
Tatiana S. Riegel
Amy Robinson
Elísabet Ronaldsdóttir
Mayes Rubeo
Nat Sanders
Pietro Scalia
Steve Schklair
Ellen H. Schwartz
Alexander Schwarz
Steven J. Scott
Anna B. Sheppard
Terilyn A. Shropshire
Lee Smith
Joan Sobel
Stefan Sonnenfeld
D. Brian Spruill
Mick Strawn
Juli Silver Taracido
Matthew Tomlinson
Michael Tronick
Plummy Tucker
Mark Ulano
Martin Walsh
Gary Wattson
Billy Weber
Julie Weiss
Hughes Winborne
Janty Yates

The 91st Oscars will be held on Sunday, February 24th.

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.