Lukas Dhont has a penchant for one-word titles: Girl, Close, Coward. On the surface, they’re almost aggressive in their curtness, rigid in their definition. But... Read More
Film Reviews
Leah Nelson’s latest animated film, Tangles, is an emotionally devastating tearjerker that studies the painful and troubling experience of a family dealing with Alzheimer’s. There... Read More
Sometimes it’s nice to show up at the cinema for a genre programmer that gives you exactly what you expect — a polished studio horror... Read More
Simply the idea of coming to the Cannes Film Festival carries with it a slew of hopes and dreams, a true pinch me experience at... Read More
André Brassard’s 1974 French Canadian film Il était une fois dans l’Est (Once Upon a Time in the East), a story of cabaret drag queens... Read More
There’s a moment early in Ryusuke Hamaguchi’s wondrous new film, All of a Sudden, where the camera focuses on an old photo of a woman... Read More
With A Woman’s Life, director Charline Bourgeois-Tacquet is less interested in telling a conventional midlife crisis story than in portraying a constant state of emotional... Read More
For many in America, there has been a shift over the course of the last decade, where educators have become less open to teach things... Read More
Pedro Almodóvar has long treated autobiography less as confession than as a hall of mirrors: memory filtered through melodrama, desire displaced by performance, private wounds... Read More
There are films that arrive carrying the weight of a social issue, and there are films that discover cinema within that issue. Laïla Marrakchi’s La... Read More

‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
‘Tangles’ Review: Julia Louis-Dreyfus Stars in Heartbreaking Yet Beautiful Animated Film Detailing Alzheimer’s with Humor and Pathos [A] Cannes
‘Passenger’ Review: André Øvredal’s Van Life Haunted House Movie Does Exactly What You Expect and Maybe That’s All It Needs To Do [C+]
‘Hope’ Review: Na Hong-jin’s First Act Monster Mash is Overlong Schlockbuster Core [C-] Cannes
‘The Man I Love’ Review: Rami Malek Gives a Career Best Performance in Ira Sachs’s Ode to Art and Life in 1980s New York [A-] Cannes
‘All of a Sudden’ Review: Virginie Efira and Tao Okamoto are Luminous in Ryusuke Hamaguchi’s Life-Affirming Wonder [A] Cannes
‘A Woman’s Life’ Review: Léa Drucker Elevates an Uneven Portrait of Female Exhaustion [C] Cannes
‘Fjord’ Review: Cristian Mungiu Takes On Religious and Progressive Extremism in Exceptional Family Drama [A] Cannes
‘Bitter Christmas’ Review: And Just Like That… Cannes Almodóvar Really Have it All? [B+] Cannes
‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
‘Next Life’ Review: Emilia Clarke Navigates Parallel Lives and Sliding Doors in Drake Doremus’s Wishy-Washy Romance [C+] Tribeca Festival
Interview: Charly Clive on the Chemistry of Comedy and Generosity of Steve Carell in ‘Rooster’
‘Heated Rivalry,’ ‘Industry,’ ‘Widow’s Bay’ Lead 2026 Television Critics Association (TCA) Nominations
2027 Oscar Predictions: SUPPORTING ACTRESS (June)