In the good ol’ days of primary school, back when we used to live freely with not a single care in the world, every student... Read More
Cannes Film Festival
Somewhere in Iran, there is a bus station; a social junction where everyday commuters meet for a moment of solace. As the ongoing traffic continuously... Read More
It doesn’t become clear what In Front of Your Face is really about till pretty far in, though its sheer emotional refinement means we can... Read More
It starts with a bang. Not the metaphorical, head-first into action kind of bang — not that you would ever expect that from an Apichatpong... Read More
What does it mean to be an American? The question reverberates throughout every frame of Blue Bayou, the new film from Ms. Purple and Gook... Read More
Perhaps even more so than The Florida Project, Sean Baker’s financial and ideological investment in celluloid film pays off in Red Rocket. His latest film,... Read More
How do you solve a problem like talking about Titane? Julia Ducournau’s film is best seen blind. Really, if you haven’t watched it, you should... Read More
After a year off, Cannes has returned with a lineup that’s an embarrassment of riches, seemingly designed to make even the most jaded cinephile feel... Read More
In the 30 years since JFK made global headlines for its excoriation of the military-industrial complex – and garnered eight Oscar nominations for its trouble... Read More
“The New Yorker will be the magazine not published for the old lady in Dubuque,” editor Harold W. Ross wrote in the founding prospectus for... Read More

‘Where is Anne Frank?’ review: Heavy handed and overly preachy, Ari Folman’s visually stunning animated tale fails to compel [Cannes Review]
‘A Hero’ review – An effective albeit monotonous moral parable from Asghar Farhadi [Cannes Review]
‘In Front of Your Face’ review: A competent but isolating drama about dread from Hong Sang-soo [Cannes Review]
‘Memoria’ review: Tilda Swinton investigates an eerie mystery in Apichatpong Weerasethakul’s slow-burning epic [Cannes Review]
‘Blue Bayou’ review: Justin Chon’s stunning portrait of immigration and what it means to be an “American” [Cannes Review]
‘Red Rocket’ review: Simon Rex puts the come in comeback in Sean Baker’s nuanced Trump country exposé [Cannes Review]
‘Titane’ review: Julia Ducournau revs up the body horror in her masterfully audacious follow-up to ‘Raw’ [Cannes Review]
‘La Traviata, My Brothers & I’ review: Yohan Manca’s winsome family drama is a winning debut feature [Cannes Review]
‘JFK Revisited: Through the Looking Glass’ is a dense and detailed return to the conspiracy 30 years after Oliver Stone’s masterpiece [Cannes Review]
‘The French Dispatch’ review: Wes Anderson dials up the quirk in anthological homage to journalism [Cannes Review]
Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]