First time feature director Annie Silverstein new film Bull, will leave you with thoughts you can’t process right away. Silverstein co-wrote the script with Johnny... Read More
Cannes Film Festival
Ladj Ly’s supremely confident debut feature recalls the bitingly fierce critical voice of Victor Hugo’s classic novel, transplanting it into the estates and housing blocks... Read More
For Juliano Dornelles and Kleber Mendonça Filho, Bacurau is a step down from Filho’s masterful Aquarius and a middling political epic that doesn’t fully land.... Read More
Jim Jarmusch’s most commercial film to date marks a departure for the director but also doesn’t offer a memorable viewing experience. Some directors like to... Read More
Much like the zombies and ghouls the heroes of The Dead Don’t Die contend with, Jim Jarmusch’s B-movie satire rises slowly, brings our attention to... Read More
Alaa Eldin Aljem’s debut feature is the rare Arab film that not only works as a meaningful comedy but also manages to be smart, audacious... Read More
[divider style=”normal” top=”20″ bottom=”20″] If you were alive in the 1980s it was impossible to miss out on the once in a lifetime talent that... Read More
SHOPLIFTERS is Hirokazu Kore-eda’s best film to date, and one of the most pleasant surprises of the Cannes Film Festival. A deceptively simple but utterly... Read More
[divider style=”normal” top=”20″ bottom=”20″] Spike Lee, I doubt anyone would argue, has paved the way for the likes of John Singleton, Ava DuVernay, Dee Rees... Read More
[divider style=”normal” top=”20″ bottom=”20″] The first hour of Alice Rohrwacher’s third feature Lazzaro Felice (Happy as Lazzaro) are as languidly paced as a film could be.... Read More
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