Cannes Review: Kirill Serebrennikov’s arthouse crowdpleaser ‘Leto’
[divider style=”normal” top=”20″ bottom=”20″] Kirill Serebrennikov’s LETO is a tribute to music, dreams of youth…
Cannes Film Festival
Cannes Review: A.B. Shawky’s gripping and emotional debut ‘Yomeddine’
[divider style=”normal” top=”20″ bottom=”20″] Rarely do debut features play in competition at Cannes. In fact,…
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Cannes Review: Wanuri Kahiu’s touching if familiar lesbian romance ‘Rafiki’
[divider style=”normal” top=”20″ bottom=”20″] Kena, short for Makena (played by Samantha Mugatsia) lives in the…
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Cannes Review: Ciro Guerra and Cristina Gallego’s immersive and unforgettable ‘Birds of Passage’
In his follow-up to the Oscar-nominated EMBRACE OF THE SERPENT, Colombian director Ciro Guerra teams up…
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Cannes Review: Asghar Farhadi’s ‘Everybody Knows’ is too safe and too slow to engage
[divider style=”normal” top=”20″ bottom=”20″] Everybody Knows opens in an aging bell and clock tower of…
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2018 Cannes at a Glance
The 2018 Cannes Film Festival is this week and this page will be your updated…
