There is an interesting link between space and the way people behave. Filmmaker Hong Sang-soo uses space and setting to weave a quiet narrative in... Read More
New York Film Festival
Each film festival season brings with it at least one title that charms with the charisma of its child actors. Carla Simón’s Alcarràs, which comes... Read More
Opening with a “special thanks” immediately preceding a reverse order roll of the end credits may seem like a peculiar choice for any film, let... Read More
The brutal murder of Emmett Louis Till made headlines around the world 1950s America. People were aware that Black people in the U.S. were being... Read More
When the pandemic hit the U.S., my fear of death oddly became most apparent when I would venture out to the grocery store. Strange, I... Read More
There’s something inherently fascinating about taking a short story and extending it to a feature film that asks for a three-hour runtime. You can sit... Read More
Kira Kovalenko’s Unclenching of the Fists is set in North Ossetia, in the Russian Caucasus, the site of the horrific Beslan School attack of 2004.... Read More
Watching the beginning of Radu Jude’s new film, you have to remind yourself that it’s not really porn. There is actual sex on screen, but... Read More
Passing, Rebecca Hall’s debut film as a writer-director, is a studied adaptation of Nellallitea “Nella” Larsen’s eponymous 1929 novel set in Harlem, New York. The... Read More
The landscape of Întregalde pierces you with a cold so persistent, you can’t help but shiver with the characters onscreen. Radu Muntean’s drama turns the... Read More

‘Walk Up’ review: Hong Sang-soo toys with physical framing and structure to find the spaces in between relationships [B+] | NYFF
‘Alcarràs’ review: Carla Simón’s family drama is a neorealist classic in the making [A] | NYFF
‘TÁR’ review: Portrait of the Artist on Fire | NYFF [A]
‘Till’ review: Danielle Deadwyler is astounding in Chinonye Chukwu’s tribute to a mother’s courage and love [B+] | NYFF
‘White Noise’ review: Noah Baumbach creates a new American soundtrack with his ambitious adaptation of Don DeLillo’s iconic novel [B+] | NYFF
NYFF Review: Ryusuke Hamaguchi’s 3-hour ‘Drive My Car (ドライブ・マイ・カー)’ is a detailed and meticulous ride that will quietly reward your patience [Grade: B+]
NYFF Review: ‘Unclenching the Fists’ in an uncompromising tale of female resistance from Cannes winner Kira Kovalenko [Grade: B]
NYFF Review: Radu Jude’s subversive ‘Bad Luck Banging or Loony Porn’ is a sex tape satire with an explosive climax [Grade: A-]
NYFF Review: Not everything is black and white in ‘Passing,’ the feature directorial debut of Rebecca Hall [Grade: B-]
NYFF Review: Radu Muntean’s Transylvanian horror ‘Întregalde’ finds true terror in the seemingly mundane [Grade: A-]
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10