Day three of the 52nd Telluride Film Festival has revealed a striking theme woven through its lineup: imperfect fathers. Across many of the films I... Read More
Film Reviews
In Rose of Nevada, the sea does not simply serve as a backdrop but as a force of memory and fate. Mark Jenkin returns to... Read More
Religious dramas are not really my cup of tea, to use a British expression. I’m a big fan of Ingmar Bergman, but I’m not really... Read More
This musical biopic can be a tricky thing to get right, especially for a fan of the artist being portrayed in the film. The growing... Read More
Since the start of humanity, mankind has always been fascinated with the concept of time. The notion of past, present, future has often been analyzed... Read More
“All that lives must die,/Passing through nature to eternity.” -Hamlet Act One, Scene 2 Early in Chloé Zhao’s staggering Shakespearean fairytale, Hamnet, Agnes (Jessie Buckley)... Read More
In the new film Tuner, an aging piano tuner and his young apprentice and assistant trapeze around the Tri-State area fine tuning pianos mostly for... Read More
Yesterday was an easygoing two-film day, bookended by parties. I kicked things off at the Focus Features event, where Jessie Buckley and Paul Mescal dropped... Read More
The acclaimed filmmaker goes close to home with the story of an indigenous landowner killed by developers – and their subsequent, often kafkaesque trial At... Read More
The French director adapts an award-winning French novel about a fictional adviser to Vladimir Putin – to underwhelming results Most of what’s good in The... Read More

Telluride Dispatch #3: Dad Mode with ‘Sentimental Value,’ ‘Hamnet,’ ‘Frankenstein’
‘Rose of Nevada’ Review: George MacKay and Callum Turner Get Spooked in Mark Jenkin’s Ghostly Fisherman Fable [A-] Venice
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A] Venice
‘Springsteen: Deliver Me From Nowhere’ Review: Scott Cooper’s Uneven Snapshot at The Boss’ Crucial Album Features an Astonishing Jeremy Allen White [C+] Telluride
‘Below the Clouds’ Review: Gianfranco Rosi’s Volcano Doc Erupts with Humanity [B+] Venice
‘Hamnet’ Review: Jessie Buckley and Paul Mescal Will Break Your Heart in Chloé Zhao’s Timeless Tale of Profound Loss and Boundless Love [A] Telluride
‘Tuner’ Review: Dustin Hoffman’s Piano Lesson is so Tightly Wound it Plays Entirely Off Key [D] Telluride
Telluride Dispatch #2: Parties Galore, ‘Bugonia’ and ‘Jay Kelly’
‘Landmarks’ Review: Lucrecia Martel’s First Foray into Nonfiction is an Indignant Look at Injustice in Argentina [B] Venice
‘The Wizard of the Kremlin’ Review: Jude Law’s Whiny Putin is Rare Highlight of Olivier Assayas’s Messy, Bloated Russia Drama [C+] Venice
2026 Oscar Predictions: ANIMATED FEATURE (December)
New Jersey Film Critics Circle (NJFCC) Nominations; ‘Sinners,’ ‘One Battle After Another’ Lead
Interview: Production Designer Jack Fisk on Recreating 1950s New York and Building a Ping Pong Playground in ‘Marty Supreme’
Interview: Cinematographer Darius Khondji on Shooting on Film and Finding the Light and the Darkness of ‘Marty Supreme’