‘28 Years Later: The Bone Temple’ Review: Nia DaCosta Charts the Middle Chapter of a UK Post-Apocalypse That Remains Appreciably Weird [B]
Anyone who saw 28 Years Later would likely pinpoint the last two minutes of the film as a source of serious excitement, bewilderment, or some... Read More
Film Reviews
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A]
Religious dramas are not really my cup of tea, to use a British expression. I’m a big fan of Ingmar Bergman, but I’m not really... Read More
‘The Housemaid’ Review: Going From Booktok to Big Screen Saps Thriller of Sexiness and Fun [D]
There was a time when mid-budget, mid-grade thrillers kept movie theaters in business, before the multiplexes were taken over by an uneven mix of big... Read More
‘Avatar: Fire and Ash’ Review: Feliz Na’vi Dads [B+]
Three years ago, we left the Sully family at a devastating low point. In an attempt to protect his family, Jake Sully (Sam Worthington) brought... Read More
Retrospective: Worst Picture/Best Picture – ‘Basic Instinct 2’ and ‘The Departed’ (2006)
“By the way, Stone left five minutes before the movie began and people in the theater began throwing things at the screen during a particularly... Read More
‘Ella McCay’ Review: James L. Brooks Aims to Mine a Nostalgic Relic but Comes Up With Something Mildly Dated [B-]
Very quickly into its runtime, Ella McCay establishes itself as a fantasy. After the narrator (Julie Kavner) introduces herself with “I’m the narrator” (there’s no... Read More
‘Marty Supreme’ Review: It’s One Paddle After Another For Timothée Chalamet in Josh Safdie’s Instant New York Classic [A-]
It’s 1952 in New York City, and Marty Mauser (Timothée Chalamet) is stuck on the Lower East Side, fitting a customer for shoes. Being promoted... Read More
‘Wake Up Dead Man’ Review: Rian Johnson’s Latest Puzzlebox Takes Benoit Blanc to Church on an Unholy Whodunit [A-]
The latest whodunit from writer-director Rian Johnson, Wake Up Dead Man, starts with a confession; not one of guilt or sin, but of absolute truth. Written... Read More
‘The Secret Agent’ Review: Kleber Mendonça Filho Returns with a Timely Tale of Brazilian Corruption and Persecution [A-]
One year after over-performing at the Oscars with the sleeper hit I’m Still Here, Brazil is poised to potentially do it again with another film analyzing... Read More
‘Hamnet’ Review: Jessie Buckley and Paul Mescal Will Break Your Heart in Chloé Zhao’s Timeless Tale of Profound Loss and Boundless Love [A]
All that lives must die,/Passing through nature to eternity.” -Hamlet Act One, Scene 2 Early in Chloé Zhao’s staggering Shakespearean fairytale, Hamnet, Agnes (Jessie Buckley) asks... Read More
‘Death by Lightning,’ ‘Big Mistakes,’ Rachel Sennott Lead 2026 Gotham Television Awards Nominations 
On the Shelf: ‘Highest 2 Lowest,’ ‘John Singleton’s Hood Trilogy,’ a Nancy Meyers Double Feature and Action-Packed Spectacles Highlight the Physical Media releases for the Week of April 27 
Director Watch Podcast Ep. 151 – ‘The Annihilation of Fish’ (Burnett, 1999) 
2026 San Francisco International Film Festival Reviews: ‘Two Pianos,’ ‘If I Go Will They Miss Me,’ ‘Filipiñana,’ ‘Elder Son’ [SFFILM]