Leonardo Di Costanzo’s Elisa is a deliberate and methodical exploration of guilt, memory, and the psychology of extreme acts of violence. At the center is... Read More
Film Reviews
It’s always a fun and exciting exercise to see how a videogame gets adapted or reinterpreted on the big screen. Such is the case with... Read More
Driver’s Ed is exactly what you would expect from a Bobby Farrelly teenage comedy — awkward, weird, unfunny, and shockingly tame despite all the swearing,... Read More
The underlying theme of the 2025 Venice Film Festival seems to be the moral and ethical dilemmas faced by human beings: the implications of one’s... Read More
Once upon the 1980s there was a little NBCmovie about Kate, a seemingly perfect, beautiful housewife who harbored a dark and disturbing secret—she furtively ate... Read More
Sudden fame would feel unnatural for anyone—let alone Ed Saxberger, an aging post office worker turned native New Yorker. One evening, he returns home from... Read More
Acclaimed Hong Kong-Taiwanese actress Shu Qi (known for her arthouse and commercial films including The Assassin, Three Times and most recently Bi Gan’s Resurrection) makes... Read More
The Sheridan Opera House in Telluride, Colorado has seen legendary, subversive non-American filmmakers celebrated by the Telluride Film Festival over the past 52 years. From... Read More
Life doesn’t always give us answers – but that doesn’t mean the questions always linger, haunting us at every turn. There is a pain in... Read More
Playing in competition at this year’s Venice Critics’ Week, Yanis Koussim’s Roqia is a rare Middle Eastern genre film that takes narrative risks that mostly... Read More

‘Elisa’ Review: Di Costanzo’s Film is a Story Lost in Its Own Silence [B-] Venice
‘Exit 8’ Review: The Viral Indie Horror Game Stuns on the Big Screen [B+] TIFF
‘Driver’s Ed’ Review: Bobby Farrelly’s Middle of the Roadtrip Teen Comedy is Stuck in Neutral [C] TIFF
‘The Sun Rises on Us All’ Review: Cai Shangjun’s Latest is Often an Aimless Take on ‘Past Lives’ [C] Venice
‘Maddie’s Secret’ Review: John Early’s Directorial Debut Isn’t Quite the Gag-Worthy Parody It Should Be [C+] TIFF
‘Late Fame’ Review: Willem Dafoe and Greta Lee Sparkle in Kent Jones’s Fizzled Fable [C+] Venice
‘Girl’ Review: Shu Qi’s Directorial Debut Finds Heart in the Face of Grim Oppression [B] Venice
Telluride Silver Medallion and Tribute to Iranian Filmmaker Jafar Panahi, Reflecting on ‘It Was Just an Accident’ and Lifelong Political Filmography
‘My Father and Qaddafi’ Review: Jihan K Crafts a Moving Portrait of Living Under a Regime of Brutality [A-] Venice
‘Roqia’ Review: [B] Venice
2026 Oscar Predictions: ANIMATED FEATURE (December)
New Jersey Film Critics Circle (NJFCC) Nominations; ‘Sinners,’ ‘One Battle After Another’ Lead
Interview: Production Designer Jack Fisk on Recreating 1950s New York and Building a Ping Pong Playground in ‘Marty Supreme’
Interview: Cinematographer Darius Khondji on Shooting on Film and Finding the Light and the Darkness of ‘Marty Supreme’