If Columbus was a bold attempt to resurrect slow cinema with a Gen Z-friendly storyline and progressive ideas, After Yang feels like Kogonada challenging himself... Read More
Film Reviews
“Okay, so we’re really gonna watch a cow for two hours,” a fellow attendee said, amused and skeptical, just before the 2 p.m. screening of... Read More
“I’m gonna cut myself free of you. If it’s the last thing I do.“ A horror movie with as many obvious metaphors as Till Death... Read More
It was July 19th, 2011. It was finally Monday, my day off from camp counselor duties, and my fellow Monday day off-ers and I hopped... Read More
It was only two years ago that writer-director Joanna Hogg carved out a gorgeous memory piece with The Souvenir, telling a hypnotic tale of bad... Read More
“Fame is like a flame,” Adam Driver’s Henry McHenry says wistfully in his stand-up routine, before a rapt audience. “Glorious, superfluous…” It’s the thesis of... Read More
There’s no denying the increase in the number of movies that look and feel like video games. Hollywood sees the massive popularity of video games... Read More
Fear Street Part 1: 1994 is one of the biggest surprises of the summer. As someone who often has a hard time getting into the... Read More
I remember when Zola’s tweets dropped and spent two hours reading the whole story. Zolar Moon tells an extremely noir-ish tale that is filled with... Read More
If ever there was a time when the world needed a Marvel film to bring everyone together, it is now. And Black Widow is very... Read More

‘After Yang’ review: Kogonada’s lo-fi sci-fi is a meditative gem propelled by Colin Farrell’s most soulful performance [Cannes Review]
‘Cow’ review: Andrea Arnold’s wordless documentary movingly focalizes the humanity of animals [Cannes Review]
‘Till Death’ review: Megan Fox has to survive the dead weight of marriage in this killer comeback
10 years ago, ‘Harry Potter and the Deathly Hallows Part 2’ taught us how to say goodbye [Retrospective]
‘The Souvenir Part II’ review: Joanna Hogg’s masterful B-Side is both a compassionate exercise on grief and a celebration of feminine rebirth [Cannes Review]
‘Annette’ Review: Leos Carax’s occasionally unwieldy rock opera gleefully leans into camp [Cannes Review]
‘The Tomorrow War’ review: Bland sci-fi retreads, repeats yesterday’s tired tropes
‘Fear Street Part 1: 1994’ review: Adaptation of R.L Stine series is the summer’s scariest surprise
‘Zola’ review: Taylour Paige gives a star-making performance in Janicza Bravo’s cinematic treatment of the viral Twitter thread
‘Black Widow’ review: It’s a family affair in the female-centered action extravaganza we’ve been waiting for
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool
How Judith Light Psychs Us Out in ‘The Terror: Devil in Silver’ and the Secret to Her Long-lasting Career [VIDEO INTERVIEW]